本文選題：詩性智慧 + 詩性　； 參考：《曲阜師范大學(xué)》2009年碩士論文

【摘要】： 十七世紀(jì)后半期和整個十八世紀(jì),在歐洲思想史上常常被稱為理性時代,當(dāng)時占統(tǒng)治地位的哲學(xué)是笛卡爾主義,他們輕視日常的感覺、經(jīng)驗及想象等非理性因素,認(rèn)為一切都必須經(jīng)由理性思維來重新審定,可靠的認(rèn)識必定是可以數(shù)量化的認(rèn)識,所謂的科學(xué)也只能是自然科學(xué),而人類社會范疇的研究,都算不得科學(xué)的真知。維柯大膽地向它提出了挑戰(zhàn),指出了非理性的重要作用,認(rèn)為人類正是起源于詩性智慧這一非理性的思維方式,在此基礎(chǔ)上才形成了后來的理性思維。本文主要探討詩性智慧的發(fā)現(xiàn)、特征,以及它與藝術(shù)之間的同源關(guān)系。 文章分為以下部分: 第一部分:引言。 第二部分:維柯研究綜述.梳理維柯學(xué)說的重新被認(rèn)識及對于后世研究的意義。 第三部分:簡析詩性智慧的理論淵源——源于西方以修辭學(xué)為代表的人文傳統(tǒng)。論述了修辭學(xué)的發(fā)展、特征,及同詩性智慧間的關(guān)系,指出即使反對者的主張也具有修辭的特點。 第四部分:介紹詩性智慧的研究宗旨及方法。維柯憑借“真理即創(chuàng)造”的宗旨,認(rèn)為人類社會是人唯一能夠達(dá)到真理認(rèn)識的領(lǐng)域,開創(chuàng)了社會科學(xué)研究;他是通過以下方法來進(jìn)行研究的:歷史還原法、語言文獻(xiàn)及神話。歷史還原法克服了當(dāng)時盛行的“學(xué)者的虛驕”,回到人類早期的生活現(xiàn)場,給歷史以真正的揭示;語言是思維的反映,是人積極的自我創(chuàng)造和創(chuàng)造歷史的途徑,維柯通過語言文獻(xiàn)發(fā)展的變化,來反映一個民族在其語言形成時期人的生活狀態(tài)和文明的發(fā)展情況;他又糾正了人們對神話的偏見,從中尋找歷史發(fā)展的痕跡。 第五部分:分析詩性智慧的特征:情感性、具體性、創(chuàng)造性和含蘊理性。詩性智慧的情感性是指原始人以己度物,將個人的情感賦予自然事物,體現(xiàn)為原始人對事物的命名及語言的產(chǎn)生;原始人的抽象能力不強,他們對事物的認(rèn)識主要采取描繪的方法來具體說明。依靠想象進(jìn)行了創(chuàng)造性的活動;同時,詩性智慧還衍生出“想象性的類概念”,具有了理性思維的萌芽。 第六部分:藝術(shù)思維與詩性智慧同源。美并不是藝術(shù)的本質(zhì)特征,藝術(shù)思維方式源于詩性智慧,人類以詩的方式創(chuàng)造了社會,是天生的詩人。 第七部分:結(jié)語
[Abstract]:In the second half of the seventeenth century and throughout the eighteenth century, it was often called the Age of reason in the history of European thought, when the dominant philosophy was Descartes, which despised irrational factors such as daily feeling, experience and imagination. It is believed that everything must be revalidated by rational thinking, that reliable knowledge must be quantifiable, that the so-called science can only be natural science, and that the study of the category of human society is not the true knowledge of science. Vico boldly challenged it, pointed out the important role of irrationality, and thought that human beings originated from the irrational mode of thinking of poetic wisdom, and on this basis formed the later rational thinking. This paper mainly discusses the discovery, characteristics and the homologous relationship between poetic wisdom and art. The article is divided into the following parts: The first part: introduction. The second part: a review of Vico research. Combing the Vico theory of re-understanding and the significance of future research. The third part: a brief analysis of the theoretical origin of poetic wisdom-originated from the western humanistic tradition represented by rhetoric. This paper discusses the development and characteristics of rhetoric and the relationship between rhetoric and poetic wisdom, and points out that even the arguments of opponents have rhetorical characteristics. The fourth part: introduce the research aim and method of poetic wisdom. By virtue of the tenet of "Truth is creation", Vico holds that human society is the only field in which human beings can achieve truth cognition, and he initiated the research of social sciences, which was carried out by the following methods: historical restoration, linguistic literature and mythology. The historical restoration method overcame the prevailing "scholar's arrogance" and returned to the scene of the early human life to reveal history; language is a reflection of thinking and a way for people to actively create their own and create history. Vico reflects the living state of a nation and the development of civilization in the period of language formation through the change of language literature development, and he corrects the prejudice of people to mythology, from which he seeks the trace of historical development. The fifth part analyzes the characteristics of poetic wisdom: emotion, concreteness, creativity and intrinsic rationality. The emotion of poetic wisdom refers to the primitive man endows the individual emotion with the natural thing with his own value, which is reflected in the primitive man's naming of the thing and the production of the language, the primitive man's abstract ability is not strong, Their understanding of things is mainly described by descriptive methods. At the same time, poetic wisdom gives rise to "imaginative class concept", which has the germination of rational thinking. The sixth part: the origin of artistic thinking and poetic wisdom. Beauty is not the essential characteristic of art, the artistic thinking mode originates from poetic wisdom, human beings create the society in the way of poetry, and they are born poets. Part VII: conclusion
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：B83

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本文編號：1946018