本文選題：美學(xué)研究 + 中國現(xiàn)代美學(xué)��； 參考：《文藝研究》1992年06期

【摘要】：正 我國的美學(xué)研究經(jīng)歷了本世紀(jì)50—60年代和70—80年代兩次大潮之后陷入了暫時(shí)的沉寂。 在人類歷史面臨跨世紀(jì)轉(zhuǎn)折的關(guān)鍵時(shí)期,暫時(shí)沉寂的美學(xué)并沒有沉睡,它在孕育著理論的新突破,醞釀著體系的大轉(zhuǎn)型。 美學(xué)界正在總結(jié)建國以來美學(xué)研究的經(jīng)驗(yàn)與失誤,站在中國傳統(tǒng)文化的雄厚根基和全人類意識(shí)的高度對(duì)美學(xué)重新定位,使中國現(xiàn)代美學(xué)在馬克思主義世界觀的指導(dǎo)下,以
[Abstract]:The study of aesthetics in China has experienced a temporary silence after the tide of the 20th century and the 1970s - 1980s . In the critical period of mankind ' s history of trans - century transformation , the aesthetics of temporary silence has not fallen asleep , it is the new breakthrough of theory , brewing the great transformation of the system . The American academic community is summing up the experiences and mistakes of the aesthetics research since the founding of the country , and has stood at the high level of the Chinese traditional culture and the height of the whole human consciousness to re - position the aesthetics , so that the Chinese modern aesthetics under the guidance of the Marxist world view ,

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