本文選題：后實踐美學　切入點：生存方式　出處：《學術月刊》1994年05期 　論文類型：期刊論文

【摘要】：中國當代美學已經(jīng)歷了兩個發(fā)展階段:前實踐美學階段(“文革”前)和實踐美學階段(新時期),現(xiàn)已進入后實踐美學時期。 實踐美學是八十年代美學的主流學派。但存在著歷史的局限和理論上的不足,在完成理論體系的建構后,停止了發(fā)展。進入九十年代后,涌現(xiàn)了一種新的美學思潮,中國當代美學進入了后實踐美學時期。 后實踐美學具有三個基本特點:1.開放性、現(xiàn)代性,更多地汲取當代美學的最新成果,恢復了“五四”以來向西方美學開放的傳統(tǒng);2.多元化,改變了實踐美學一統(tǒng)天下的局面,出現(xiàn)了各種觀點、各種學說;3.對實踐美學有所繼承、批判、揚棄和超越。 本文提出建立“超越美學”的構想,它以人的生存為美學的邏輯起點,推導出美學的范疇體系和審美的本質(zhì)規(guī)定。認為審美是超越現(xiàn)實的自由生存方式和超越理性的解釋方式,審美的本質(zhì)就是超越。
[Abstract]:Chinese contemporary aesthetics has gone through two stages of development: the stage of pre-practical aesthetics (before the Cultural Revolution) and the stage of practical aesthetics (the new period), which has now entered the post-practical aesthetics period. Practical aesthetics is the mainstream school of aesthetics in 80s. But there are historical limitations and theoretical shortcomings, After completing the construction of the theoretical system, it stopped the development. In 90s, a new aesthetic trend emerged. Chinese contemporary aesthetics entered the post-practical aesthetics period. Post-practical aesthetics has three basic characteristics: 1.Openness, modernity, and so on. Drawing more from the latest achievements of contemporary aesthetics and restoring the tradition which has been open to western aesthetics since the May 4th Movement, the pluralism has changed the situation of practical aesthetics dominating the whole world, and various viewpoints and theories have emerged, and they have inherited the practical aesthetics. Criticism, sublation and transcendence. This paper puts forward the concept of "transcendental aesthetics", which takes the existence of human beings as the logical starting point of aesthetics. This paper deduces the category system of aesthetics and the essential stipulation of aesthetics, and holds that aesthetics is the free way of living beyond reality and the way of explanation of transcendence, and the essence of aesthetics is transcendence.
【作者單位】： 黑龍江省社會科學院
【分類號】：B83-06

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