本文選題：中西比較美學(xué)　切入點(diǎn)：人類文化精神　出處：《文藝研究》1992年06期 　論文類型：期刊論文

【摘要】：正 改革開(kāi)放,中國(guó)文化步入世界格局,中西文化比較是其重要的主題。在這種背景下,周來(lái)祥、陳炎合著的《中西比較美學(xué)大綱》近期由安徽文藝出版社出版,在某種意義上標(biāo)志著這一研究領(lǐng)域也正走向深化。《中西比較美學(xué)大綱》具有下列特點(diǎn): 第一、鮮明的時(shí)代意識(shí)。20世紀(jì)以來(lái)的比較文化研究有一個(gè)突出特點(diǎn),就是通過(guò)比較來(lái)致力于不同民族文化間的溝通與融合,以獲得人類文化精神富有意義的生長(zhǎng)。該書(shū)在“緒論”中明確指出:“在中國(guó)與西方文化劇烈碰撞、彼此滲透的今天,進(jìn)行中西美學(xué)的比較研究,不僅有助于我們了解西方的學(xué)
[Abstract]:Under this background, the outline of Comparative Aesthetics between China and the West, co-authored by Zhou Laixiang and Chen Yan, was recently published by Anhui Literature and Art Publishing House. The outline of Comparative Aesthetics between China and the West has the following characteristics: first, there is a prominent feature in the study of comparative culture since the 20th century. It is through comparison that we devote ourselves to the communication and integration of different cultures in order to achieve the meaningful growth of the human cultural spirit. In the introduction, the book clearly points out: "Today, when Chinese and Western cultures collide violently and infiltrate each other, A comparative study of Chinese and Western aesthetics is not only helpful for us to understand Western learning

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