本文關(guān)鍵詞： 真 善 美 自由情感 主客體互作　出處：《理論學(xué)刊》2009年10期 　論文類型：期刊論文

【摘要】：哲學(xué)史上將真善美放置在一起來比較,這種思維模式存在著邏輯上的錯(cuò)誤,故真善美三者統(tǒng)一的說法需要在學(xué)理上正本清源。首先,美的現(xiàn)象是一種完全的生命現(xiàn)象,也就是說美只存在于鮮活的生命個(gè)體,對(duì)于死者、不存在者或者其他一切無生命現(xiàn)象的客體談美是沒有任何意義的。其次,美的現(xiàn)象是一種生命現(xiàn)象中的特殊情感活動(dòng),在這種特殊的情感活動(dòng)中,生命體能夠從心理和生理上切身體驗(yàn)到一種高度自由愉悅的純粹情感。再次,美的現(xiàn)象是一種由情感主體、情感客體和情境三種要素組成的有機(jī)系統(tǒng),其中失卻任何一種要素的參與,美都會(huì)蕩然無存。美不是獨(dú)立存在的自由王國,即美不具有客觀實(shí)在性;審美主體不具有特殊性,即任何具有完全生命能力的人只要存在著審美情境都可以成為審美主體。審美客體不具有共同的屬性,任何一個(gè)客體都存在著成為審美客體的潛能,即在一定的審美情境下都有可能引發(fā)主體產(chǎn)生美感。美是抽象的概念,無法比較測(cè)量;但美感是具體的,這就意味著美感既是可以分類的,又是可以測(cè)量的,我們不妨用"美感指數(shù)"來表征美感的強(qiáng)度。
[Abstract]:The history of philosophy compares the true, the good and the beautiful. There is a logical error in this mode of thinking, so the unity of the truth, the good and the beauty needs to be thoroughly rooted in theory. First of all, the phenomenon of beauty is a complete phenomenon of life. That is to say, beauty exists only in living individuals, and there is no point in talking about beauty to the dead, the non-existent, or all other objects of inanimate phenomena. Secondly, the phenomenon of beauty is a special emotional activity in the phenomenon of life. In this special emotional activity, life can experience a highly free and joyful pure emotion psychologically and physically. Again, the phenomenon of beauty is a kind of emotional subject. There is no beauty in the organic system composed of three elements: emotional object and situation, in which any element is lost. Beauty is not an independent free kingdom, that is, beauty does not have objective reality, and aesthetic subject has no particularity. That is, any person with full life ability can be an aesthetic subject as long as there is an aesthetic situation. The aesthetic object does not have a common attribute, and any object has the potential to become an aesthetic object. Beauty is an abstract concept that cannot be compared and measured, but aesthetic feeling is concrete, which means that aesthetic sense is both classifiable and measurable. We might as well use the "aesthetic index" to characterize the intensity of aesthetic feeling.
【作者單位】： 山東師范大學(xué)傳播學(xué)院;
【基金】：國家社科基金項(xiàng)目“數(shù)字藝術(shù)哲學(xué)”(項(xiàng)目編號(hào):09B2X060)的階段性研究成果
【分類號(hào)】：B83-09

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