本文關(guān)鍵詞： 審美 形而上學(xué) 自由愉悅　出處：《學(xué)術(shù)月刊》2016年01期 　論文類(lèi)型：期刊論文

【摘要】：梳理過(guò)去二百年關(guān)于"審美"是什么的理論史,可以說(shuō)明"審美"不是一種原始的或自然的能力,而是一種源自理性的"要求",一種對(duì)"觀(guān)看世界"的方式的要求。這種要求具有形而上學(xué)的性質(zhì)。20世紀(jì)的"審美"在現(xiàn)實(shí)中走向沉淪,在理論上陷入絕境,就是因?yàn)榉艞壛藢徝赖男味蠈W(xué)維度,審美完全被淺表化了,它和感官的諸種應(yīng)激性反應(yīng)雜糅在一起,審美的反思性沒(méi)有被強(qiáng)調(diào),但非理性的感受性、知覺(jué)、體驗(yàn)、諸種非理性能力在審美中的作用被強(qiáng)化了。人類(lèi)建構(gòu)"審美"的初衷——"反思判斷""自由愉悅"與"自我完善"被遺忘了。我們需要什么樣的審美?本文的回答是:通過(guò)"自由理性"與"自由感性"而獲得的"自由愉悅"。
[Abstract]:Combing through the theoretical history of what "aesthetics" is in the past two hundred years, we can see that "aesthetics" is not a primitive or natural ability. It's a request from reason, a request for a way to see the world. It's metaphysical. "Aesthetic" of the 20th century goes down in reality and falls into despair in theory. It is because the metaphysical dimension of aesthetics has been abandoned, the aesthetic has been completely superficial, it is mixed with all kinds of stress reactions of the senses, the reflection of aesthetics has not been emphasized, but the irrational sensibility, perception, experience, The function of various kinds of irrational abilities in aesthetics has been strengthened. The original intention of human being to construct "aesthetics"-"introspection, judgment", "freedom and pleasure" and "self-perfection" has been forgotten. What kind of aesthetics do we need? The answer of this paper is: freedom and pleasure obtained through "free reason" and "free sensibility".
【作者單位】： 上海師范大學(xué)世界文學(xué)與比較文學(xué)研究中心;
【基金】：國(guó)家哲學(xué)社會(huì)科學(xué)項(xiàng)目“當(dāng)代西方美學(xué)中的藝術(shù)真理性問(wèn)題研究”(12CZW009)的階段性成果 上海市教委高峰學(xué)科建設(shè)計(jì)劃“中國(guó)語(yǔ)言文學(xué)”資助
【分類(lèi)號(hào)】：B83-0
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本文編號(hào)：1530523