本文關(guān)鍵詞：東方審美至境——“通感”再闡釋　出處：《江海學(xué)刊》1998年05期 　論文類型：期刊論文

  更多相關(guān)文章： 再闡釋 審美范疇 言不盡意 語言符號 陶淵明 中國審美傳統(tǒng) 阿摩羅識(shí) 中國美學(xué)精神 阿賴耶識(shí) 至境

【摘要】：“通感”是東方審美文化中非常重要的理論范疇，從完整的意蘊(yùn)上說，它不僅是一個(gè)獨(dú)特的美學(xué)概念，而且是東方美學(xué)意境的主要立足點(diǎn)和理念歸宿。“通感”作為審美實(shí)踐，在古代中華文化中有十分豐厚的經(jīng)驗(yàn)積累，但對其進(jìn)行系統(tǒng)的理論闡釋卻不多見。一般觀念中認(rèn)為“通感”主要是感官挪移、假借型的修辭方式是不妥當(dāng)?shù)�，“通感”范疇誠然在知覺表層有時(shí)會(huì)表現(xiàn)為感官功能的錯(cuò)位效應(yīng)，但那只是追求混融一體的直覺經(jīng)驗(yàn)的副產(chǎn)品。在東方哲學(xué)境界里，對直透本心的全息經(jīng)驗(yàn)往往視為最佳心象體驗(yàn)，而將明晰的語言符號表述置于不得已而求其次的位置上，因?yàn)椤把圆槐M意”的困境確實(shí)是存在的。為了突破這一遺憾，先哲們創(chuàng)造了“通感”的表現(xiàn)形態(tài)，利用語言符號作為踏板來指代超越符號所指的混成審美體悟，如佛學(xué)的“九識(shí)論”、道家的“得意忘言論”、禪宗高僧們大量獨(dú)步象外的詩偈與語錄，這一切，豈是視聽挪移的傳統(tǒng)“通感”觀念所能包容的！進(jìn)入“以心觀物”全息境界后的“真意”揭示是打成一片的內(nèi)省經(jīng)驗(yàn)，堪稱東方美學(xué)的理論精髓。所以“通感”的中心應(yīng)是全息化的整體經(jīng)驗(yàn)，局部的修辭方式只是相當(dāng)次要的表現(xiàn)。人類對于圓融心象流的解讀和傳播努力是人生格局的重要提升，，這不僅由古代先哲們的不懈追求可以證明，
[Abstract]:Synaesthesia is a very important theoretical category in oriental aesthetic culture. It is not only a unique aesthetic concept, but also a unique aesthetic concept in terms of its complete meaning. As an aesthetic practice, synaesthesia has rich experience in ancient Chinese culture. However, the systematic theoretical explanation is rare. In general, it is considered that "synaesthesia" is mainly sensory shift, and the rhetoric of false loan is not appropriate. It is true that the category of "synaesthesia" in the surface of perception is sometimes manifested as the translocation effect of sensory function, but it is only a by-product of the intuitive experience of the pursuit of a mixture, and it is in the realm of Eastern philosophy. Holographic experience through the heart is often regarded as the best mental vision experience, and the clear language symbol expression is placed in the second place. In order to break through this regret, the sages created the expression form of "synesthesia", and used the language symbol as the pedal to refer to the mixed aesthetic understanding of transcending the symbol. For example, the "Nine knowledge Theory" of Buddhism, the Taoist "triumphant theory of forgetting words", and a large number of poems and quotations of Zen monks who have gone out of their own way, all of which can be tolerated by the traditional "synesthesia" concept of audio-visual movement!... After entering the holographic realm of "viewing things with the mind", the "true meaning" revealed is the internal introspection experience of forming a whole, which can be regarded as the theoretical quintessence of eastern aesthetics, so the center of "synaesthesia" should be the holographic whole experience. Partial rhetoric is only a rather minor expression. Human efforts to interpret and spread the mellowed mind flow are an important improvement in the pattern of life, as evidenced not only by the unremitting pursuit of ancient philosophers, but also by the unremitting pursuit of the ancient philosophers.
【作者單位】： 中國科技大學(xué)信息管理與決策科學(xué)系
【分類號】：B83-0
【正文快照】： 有關(guān)“通感”概念的經(jīng)典解讀方式“通感”的審美經(jīng)驗(yàn)與作品在東方淵深流長，在理論上進(jìn)行思考者亦為數(shù)不少，例如明代楊慎、清代吳景旭等人，但今日最經(jīng)典、最流行的當(dāng)推錢鐘書先生的界定：“在日常經(jīng)驗(yàn)里，視覺、聽覺、觸覺、嗅覺、味覺往往可以彼此打通或交通，眼、耳、舌

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