本文關(guān)鍵詞：美學(xué)的僭越與“倫理”的復(fù)歸——從形式靜觀到審美融合　出處：《廈門大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2016年03期 　論文類型：期刊論文

  更多相關(guān)文章： 美學(xué)態(tài)度 倫理態(tài)度 倫理功能 審美融合

【摘要】：在經(jīng)歷了數(shù)十年的日常生活審美化趨勢(shì)后,美學(xué)與生活似乎已無法進(jìn)一步靠攏。兩者已用盡了含混與妥協(xié)的空間,終于露出不可通約的邏輯硬核;美學(xué)與生活誰為主導(dǎo),已成了再無騰挪余地的問題。近年在建筑藝術(shù)領(lǐng)域出現(xiàn)的"少一些美學(xué),多一些倫理"的抵制性呼吁,既是對(duì)美學(xué)態(tài)度過度泛濫的反彈,又不妨將其看作對(duì)美學(xué)的一種當(dāng)代期許。這里的"倫理"內(nèi)涵是基于其古希臘語的原始涵義即"精神氣質(zhì)",強(qiáng)調(diào)建筑應(yīng)顯現(xiàn)的自身目的和特定生活方式。面對(duì)美學(xué)對(duì)生活的"僭越",當(dāng)代一些學(xué)者認(rèn)為必須改變傳統(tǒng)的形式靜觀的審美模式才能解決。其中,卡斯騰·哈里斯的"倫理功能"、卡爾松的"功能適應(yīng)"、柏林特的"審美融合",都喻示當(dāng)代美學(xué)中發(fā)生的這種觀念調(diào)整。通過分析"美學(xué)態(tài)度"和"倫理態(tài)度"相互拒斥的歷史,可以窺見二者溝通的可能性,探索在"功能性的內(nèi)容"與"可見的形式"之間建立聯(lián)系的思路,為審美與生活的當(dāng)代融合尋找新的知識(shí)前提和評(píng)判標(biāo)準(zhǔn)。
[Abstract]:After decades of aesthetic trend of daily life, aesthetics and life seem to be unable to get closer to each other. They have exhausted the room for ambiguity and compromise, and finally reveal the irreconcilable logic hard core; The question of who leads aesthetics and life has become a question of no room to move any more. In recent years, the anti-appeal of "less aesthetics and more ethics" in the field of architectural art is a rebound to the excessive proliferation of aesthetic attitudes. We can also regard it as a kind of contemporary expectation of aesthetics. The connotation of "ethics" here is based on the original meaning of ancient Greek, that is, "spiritual temperament". Some contemporary scholars think that we must change the traditional aesthetic mode of meditation in order to solve the problem. "Ethical function" by Carsten Harris, "functional adaptation" by Karlsson, "Aesthetic Fusion" by Berlinte. By analyzing the history of "aesthetic attitude" and "ethical attitude" rejecting each other, we can see the possibility of communication between them. This paper explores the idea of establishing a link between "functional content" and "visible form", and seeks new knowledge premises and criteria for the contemporary fusion of aesthetics and life.
【作者單位】： 華中師范大學(xué)文學(xué)院;
【基金】：國家留學(xué)基金委項(xiàng)目“中西建筑藝術(shù)的倫理功能研究”(201406775015)
【分類號(hào)】：B83-0
【正文快照】： 引言在當(dāng)代日常生活呈現(xiàn)審美化趨勢(shì)的過程中,美學(xué)面臨著對(duì)自身觀念、方法和理論邊界的重構(gòu)任務(wù),以適應(yīng)日益復(fù)雜的審美現(xiàn)象。在這一情形下,有兩個(gè)問題被凸顯出來:一是藝術(shù)觀念對(duì)美學(xué)的轄制,二是美學(xué)態(tài)度對(duì)生活的僭越。藝術(shù)一向是傳統(tǒng)美學(xué)的核心部分,從中引申出的欣賞方式、審美，

本文編號(hào)：1375631