中國油畫在當(dāng)代藝術(shù)大背景下本土文化的思考
發(fā)布時間：2019-04-02 12:28
【摘要】：中國當(dāng)代藝術(shù)經(jīng)過三十年的發(fā)展,獲得了很大的進(jìn)步。當(dāng)成為一種文化的形式才剛剛起步。因為當(dāng)藝術(shù)品變形成為商品進(jìn)而成為市場追逐利益的工具。身為“80后”的藝術(shù)追逐者,我們從中感到困惑,然而去思考,同時還在堅守。我作為“80后”的油畫青年在也避免不了這些庸俗,同時也產(chǎn)生了中國油畫在當(dāng)代藝術(shù)大背景下本土文化的思考,是傳統(tǒng)還是反傳統(tǒng)?傳統(tǒng)文化走向死亡了嗎?在我和一些油畫藝術(shù)家交流中能感覺到當(dāng)代藝術(shù)技術(shù)不是唯一的了,其想法思想起了很重要的一部分。作為技術(shù)在現(xiàn)代高科技下是無所不能的,架上繪畫在將來會走向死亡嗎?作為最年輕的一代藝術(shù)家,“80后”已經(jīng)開始嶄露頭角,我們也將是未來中國美術(shù)事業(yè)發(fā)展中一支不容忽視的新興力量。也可以說是關(guān)注未來中國美術(shù)的發(fā)展趨向。所以在里我在對中國油畫在當(dāng)代藝術(shù)大背景下本土文化的思考。 中國油畫在幾代畫家的努力下得到了長足的發(fā)展。西方的油畫在中國經(jīng)歷了從過去的學(xué)習(xí)模仿到今天的中西融合創(chuàng)新,在這個過程中引人關(guān)注的是有許多的畫家從中國傳統(tǒng)文化中融合,將東方的秀美合進(jìn)西方的表現(xiàn)形式,以期創(chuàng)造出具有中國文化內(nèi)涵的油畫語言。中國油畫的本土文化體現(xiàn)著中國油畫家們所特有的文化內(nèi)涵。許多中國油畫家在汲取西方油畫傳統(tǒng)的同時,關(guān)注中國本土的文化底蘊,有意識在創(chuàng)作中融匯中西,使中國油畫顯示出獨特,煥發(fā)出新的光彩,使得富有特色的中國油畫逐步成為世界藝術(shù)的一個重要的力量。對我國許多油畫家們在他們作品中所體現(xiàn)出的本土情結(jié),也基于對當(dāng)下一部分青年油畫家,尤其是“80后”在創(chuàng)作中明顯存在傳統(tǒng)文化缺失現(xiàn)象的擔(dān)憂,引發(fā)了我對當(dāng)下中國油畫本土文化的思考。本文擬從油畫家的現(xiàn)狀,作品的表現(xiàn)內(nèi)容和油畫作品的表現(xiàn)手法以及油畫作品所呈現(xiàn)的形式面貌三個方面,對具有中國傳統(tǒng)文化的代表性作品進(jìn)行分析和論證,看中國本土文化在當(dāng)代藝術(shù)的背景下的作用,以期對油畫的創(chuàng)作實踐能有更加明確的理解和認(rèn)識。
[Abstract]:After thirty years of development, Chinese contemporary art has made great progress. When it becomes a form of culture, it is just beginning. Because when art is transformed into a commodity, it becomes a tool for the market to pursue its interests. As art pursuers of the post-80s, we are perplexed from it, but we think and stick to it at the same time. I as the "post-80s" oil painting youth also can not avoid these vulgarity, but also produced the Chinese oil painting in the context of contemporary art in the context of native culture, is traditional or anti-traditional? Is traditional culture dying? In my communication with some oil painting artists, I can feel that contemporary art technology is not the only one, its ideas play a very important part. As a technology in the modern high-tech is all-powerful, shelf painting in the future will go to death? As the youngest generation of artists, "post-80s" has begun to come to the fore, we will also be the future development of Chinese art industry a new force that can not be ignored. It can also be said to be concerned about the development trend of Chinese fine arts in the future. So in the Chinese oil painting in the context of contemporary art in the context of native culture thinking. With the efforts of several generations of painters, Chinese oil painting has made great progress. Western oil paintings in China have experienced from learning and imitation in the past to the integration and innovation of China and the West today. In this process, people pay attention to the fusion of many painters from the traditional Chinese culture, bringing the beautiful beauty of the East into the forms of expression of the West. In order to create a Chinese cultural connotation of oil painting language. The native culture of Chinese oil painting embodies the unique cultural connotation of Chinese oil painters. Many Chinese oil painters, while drawing on the tradition of western oil painting, pay attention to the cultural heritage of China's native land, consciously blend the Chinese and the Western in their creation, and make the Chinese oil painting show its unique and radiate a new luster. Make the characteristic Chinese oil painting gradually become an important force of the world art. The native complex that many oil painters in our country embody in their works is also based on the concern about the obvious lack of traditional culture in the creation of some young oil painters, especially the post-80s. Caused me to the present Chinese oil painting native culture ponder. This article intends to analyze and demonstrate the representative works with Chinese traditional culture from three aspects: the present situation of oil painters, the expression contents of the works, the expression techniques of the oil paintings and the appearance of the oil paintings. Look at the role of Chinese native culture in the background of contemporary art, in order to have a clearer understanding and understanding of the creation practice of oil painting.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
本文編號：2452563
[Abstract]:After thirty years of development, Chinese contemporary art has made great progress. When it becomes a form of culture, it is just beginning. Because when art is transformed into a commodity, it becomes a tool for the market to pursue its interests. As art pursuers of the post-80s, we are perplexed from it, but we think and stick to it at the same time. I as the "post-80s" oil painting youth also can not avoid these vulgarity, but also produced the Chinese oil painting in the context of contemporary art in the context of native culture, is traditional or anti-traditional? Is traditional culture dying? In my communication with some oil painting artists, I can feel that contemporary art technology is not the only one, its ideas play a very important part. As a technology in the modern high-tech is all-powerful, shelf painting in the future will go to death? As the youngest generation of artists, "post-80s" has begun to come to the fore, we will also be the future development of Chinese art industry a new force that can not be ignored. It can also be said to be concerned about the development trend of Chinese fine arts in the future. So in the Chinese oil painting in the context of contemporary art in the context of native culture thinking. With the efforts of several generations of painters, Chinese oil painting has made great progress. Western oil paintings in China have experienced from learning and imitation in the past to the integration and innovation of China and the West today. In this process, people pay attention to the fusion of many painters from the traditional Chinese culture, bringing the beautiful beauty of the East into the forms of expression of the West. In order to create a Chinese cultural connotation of oil painting language. The native culture of Chinese oil painting embodies the unique cultural connotation of Chinese oil painters. Many Chinese oil painters, while drawing on the tradition of western oil painting, pay attention to the cultural heritage of China's native land, consciously blend the Chinese and the Western in their creation, and make the Chinese oil painting show its unique and radiate a new luster. Make the characteristic Chinese oil painting gradually become an important force of the world art. The native complex that many oil painters in our country embody in their works is also based on the concern about the obvious lack of traditional culture in the creation of some young oil painters, especially the post-80s. Caused me to the present Chinese oil painting native culture ponder. This article intends to analyze and demonstrate the representative works with Chinese traditional culture from three aspects: the present situation of oil painters, the expression contents of the works, the expression techniques of the oil paintings and the appearance of the oil paintings. Look at the role of Chinese native culture in the background of contemporary art, in order to have a clearer understanding and understanding of the creation practice of oil painting.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
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