在油畫作品中視覺識別與綜合材料關(guān)系研究
發(fā)布時間：2019-03-29 18:05
【摘要】：隨著社會經(jīng)濟的不斷發(fā)展,傳統(tǒng)寫實藝術(shù)已經(jīng)得到普及,它走向了單一乏味的道路,這時人們想要有新的突破。材料藝術(shù)應運而生,翻身做了主人。材料本身的特點和價值在油畫作品中得到了最大限度的發(fā)揮,它給我們帶來了視覺上和觸覺上的沖擊,同時在創(chuàng)作過程中的那些偶然的效果則通過藝術(shù)家自身修養(yǎng)的體現(xiàn)而放大,這更加增強了畫面的沖擊力和感染力,使觀看者可以充分發(fā)揮其想象力,這就是綜合材料藝術(shù)的魅力。它給人們帶來了新的視覺感受。綜合材料繪畫在材料和技法上則更為自由,不再是單一地把人限制在畫布前固定式作畫,藝術(shù)家們可以在移動中通過滴ou等多種途徑來作畫。而其畫面最后形成的效果也是我們無法預見到的。正是因為它的神秘莫測,增強了藝術(shù)家的創(chuàng)作興趣。人們都有探知不可預測的世界的渴望,藝術(shù)家們渴望充分發(fā)揮自己的創(chuàng)造力以及自身的魅力,創(chuàng)作出突出自己個性的藝術(shù)作品。藝術(shù)家們鮮明的個性表現(xiàn)以及對藝術(shù)獨特的見解都體現(xiàn)在了他們的作品中,并用自己與眾不同的作品影響著藝術(shù)的發(fā)展,同時也為藝術(shù)發(fā)展做出了貢獻。在當今藝術(shù)多元化發(fā)展的背景下,這些綜合材料的運用也符合人們對藝術(shù)多種多樣的審美心理需求。
[Abstract]:With the continuous development of social economy, the traditional realistic art has been popularized, it is a single boring road, at this time people want to have a new breakthrough. Material art emerged as the times require, turning over as the master. The characteristics and value of the material itself have been maximized in oil paintings, which has brought us visual and tactile shocks. At the same time, those accidental effects in the process of creation are amplified by the artist's self-cultivation, which further enhances the impact and appeal of the picture, so that the viewer can give full play to his imagination. This is the charm of the art of comprehensive materials. It brings people a new sense of vision. Comprehensive material painting is freer in material and technique. Instead of restricting people to fixed painting in front of canvas, artists can draw by dripping ou in the process of movement. And the final formation of the picture is also a result we can not foresee. It is because of its mystery that the artist's interest in creation has been enhanced. People have a desire to explore the unpredictable world, artists are eager to give full play to their creativity and their own charm, to create works of art that highlight their personality. Artists' distinctive individual expression and unique views on art are reflected in their works, and their unique works influence the development of art and contribute to the development of art at the same time. Under the background of the diversified development of art nowadays, the use of these comprehensive materials accords with people's various aesthetic psychological needs of art.
【學位授予單位】：南昌大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213
本文編號：2449762
[Abstract]:With the continuous development of social economy, the traditional realistic art has been popularized, it is a single boring road, at this time people want to have a new breakthrough. Material art emerged as the times require, turning over as the master. The characteristics and value of the material itself have been maximized in oil paintings, which has brought us visual and tactile shocks. At the same time, those accidental effects in the process of creation are amplified by the artist's self-cultivation, which further enhances the impact and appeal of the picture, so that the viewer can give full play to his imagination. This is the charm of the art of comprehensive materials. It brings people a new sense of vision. Comprehensive material painting is freer in material and technique. Instead of restricting people to fixed painting in front of canvas, artists can draw by dripping ou in the process of movement. And the final formation of the picture is also a result we can not foresee. It is because of its mystery that the artist's interest in creation has been enhanced. People have a desire to explore the unpredictable world, artists are eager to give full play to their creativity and their own charm, to create works of art that highlight their personality. Artists' distinctive individual expression and unique views on art are reflected in their works, and their unique works influence the development of art and contribute to the development of art at the same time. Under the background of the diversified development of art nowadays, the use of these comprehensive materials accords with people's various aesthetic psychological needs of art.
【學位授予單位】：南昌大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213
【參考文獻】
相關(guān)期刊論文 前1條
1 貝玉芳;許世虎;;談綜合繪畫中的材料價值取向[J];美與時代;2006年01期
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