論科爾沁版畫創(chuàng)作的地域特征
發(fā)布時(shí)間：2019-03-27 12:34
【摘要】：本文主要以科爾沁版畫作為研究對象,科爾沁版畫是在我國內(nèi)蒙古科爾沁地區(qū)形成的一個(gè)版畫流派,它不僅是我國少數(shù)民族版畫藝術(shù)中的重要組成部分,同時(shí)也是體現(xiàn)科爾沁地域自然風(fēng)情以及風(fēng)俗文化的一個(gè)重要文化藝術(shù)表現(xiàn)形式。對科爾沁版畫的定義為:“科爾沁版畫是1999年內(nèi)蒙古通遼市撤盟建市后‘哲里木版畫’發(fā)展轉(zhuǎn)變而來的”。主要是通遼市輻射范圍內(nèi),以科爾沁區(qū)、奈曼旗、扎魯特旗等地區(qū)為代表,其藝術(shù)特色非常鮮明,因雄渾大氣、高雅純樸的風(fēng)格在美術(shù)界享有“科爾沁草原雄風(fēng)”的美譽(yù)。科爾沁版畫家在取材時(shí)傾向于蒙古族人民的生產(chǎn)和生活,藝術(shù)作品煥發(fā)出濃郁的地域特色和民族特色。通過研究,本文第一章緒論闡述選題原由,研究現(xiàn)狀、主要內(nèi)容等。第二章對科爾沁版畫的源起、階段發(fā)展?fàn)顩r以及其歷史發(fā)展脈絡(luò)進(jìn)行詳述。論文第三章講述科爾沁版畫的藝術(shù)風(fēng)格、地域特色及民族特色,其獨(dú)特的地域文化特征為生活在草原上的藝術(shù)家具有獨(dú)特藝術(shù)審美和藝術(shù)價(jià)值奠定基礎(chǔ)。在文章的第四部分,探討研究了學(xué)院版畫、湛江版畫、北大荒版畫和云南版畫與科爾沁版畫的流派對比,著重從幾位具有代表性的科爾沁版畫藝術(shù)家的作品為切入點(diǎn),針對作品中所表現(xiàn)的主題內(nèi)容進(jìn)行剖析,從而突出其中蘊(yùn)藏的藝術(shù)特征以及美學(xué)價(jià)值,最后到一些地域特色的展現(xiàn)。本文最后一章,對科爾沁當(dāng)代版畫發(fā)展所處的現(xiàn)狀以及目前面臨的一些問題進(jìn)行了探討和研究。通過本文最終的研究結(jié)果發(fā)現(xiàn):科爾沁版畫在幾十年的發(fā)展過程中已經(jīng)形成了自己的地域風(fēng)格特征,在版畫的創(chuàng)作中,藝術(shù)家們通過拓展各種創(chuàng)作技法和創(chuàng)新理念來豐富科爾沁版畫的藝術(shù)語言。與其他版畫流派相比,科爾沁版畫的藝術(shù)特征更加凸顯。在未來的發(fā)展中,需要立足于自身的地域文化特色,再結(jié)合現(xiàn)當(dāng)代版畫創(chuàng)作技法的多樣性發(fā)展特點(diǎn),促進(jìn)科爾沁版畫地域創(chuàng)作的發(fā)展及進(jìn)步。
[Abstract]:This paper mainly takes Horqin printmaking as the research object. Horqin printmaking is a printmaking school formed in Horqin region of Inner Mongolia in China. It is not only an important part of our national minority printmaking art, but also an important part of our national minority printmaking art. At the same time, it is also an important form of cultural and artistic expression which reflects the natural customs and customs of Horqin region. The definition of Horqin printmaking is: "Horqin printmaking came from the development of" Zhelimu engraving "after Tongliao City, Inner Mongolia, was founded in 1999. Mainly within the radiation range of Tongliao City, represented by Kerqin District, Naiman Banner, Zalut Banner and other areas, its artistic characteristics are very distinct. Because of its vigorous atmosphere, elegant and simple style enjoys the reputation of "Horqin Prairie style" in the art world. Horqin prints tend to the production and life of the Mongolian people, and their artistic works show rich regional and national characteristics. Through the research, the first chapter of this paper describes the reasons for the topic, the current situation of the research, the main content and so on. The second chapter details the origin, stage development and historical development of Horqin printmaking. The third chapter describes the artistic style, regional characteristics and national characteristics of Horqin printmaking. Its unique regional cultural characteristics lay a foundation for artists living on the prairie to have unique artistic aesthetic and artistic value. In the fourth part of the article, the school printmaking, Zhanjiang printmaking, Beidahuang printmaking and Yunnan printmaking are compared with Horqin printmaking, focusing on the works of several representative Horqin printmaking artists as the starting point. In order to highlight the artistic features and aesthetic values in the works, the theme contents of the works are analyzed, and finally some regional characteristics are displayed. In the last chapter, the present situation and some problems of Horqin's contemporary printmaking are discussed and studied. Through the final research results of this paper, it is found that Horqin printmaking has formed its own regional style characteristics in the development of several decades, and in the creation of printmaking, Artists enrich Horqin's artistic language by expanding creative techniques and innovative ideas. Compared with other printmaking schools, Horqin's artistic features are more prominent. In the future development, it is necessary to promote the development and progress of Horqin printmaking regional creation based on its own regional cultural characteristics, combined with the diverse development characteristics of modern and contemporary printmaking techniques.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J217
本文編號：2448182
[Abstract]:This paper mainly takes Horqin printmaking as the research object. Horqin printmaking is a printmaking school formed in Horqin region of Inner Mongolia in China. It is not only an important part of our national minority printmaking art, but also an important part of our national minority printmaking art. At the same time, it is also an important form of cultural and artistic expression which reflects the natural customs and customs of Horqin region. The definition of Horqin printmaking is: "Horqin printmaking came from the development of" Zhelimu engraving "after Tongliao City, Inner Mongolia, was founded in 1999. Mainly within the radiation range of Tongliao City, represented by Kerqin District, Naiman Banner, Zalut Banner and other areas, its artistic characteristics are very distinct. Because of its vigorous atmosphere, elegant and simple style enjoys the reputation of "Horqin Prairie style" in the art world. Horqin prints tend to the production and life of the Mongolian people, and their artistic works show rich regional and national characteristics. Through the research, the first chapter of this paper describes the reasons for the topic, the current situation of the research, the main content and so on. The second chapter details the origin, stage development and historical development of Horqin printmaking. The third chapter describes the artistic style, regional characteristics and national characteristics of Horqin printmaking. Its unique regional cultural characteristics lay a foundation for artists living on the prairie to have unique artistic aesthetic and artistic value. In the fourth part of the article, the school printmaking, Zhanjiang printmaking, Beidahuang printmaking and Yunnan printmaking are compared with Horqin printmaking, focusing on the works of several representative Horqin printmaking artists as the starting point. In order to highlight the artistic features and aesthetic values in the works, the theme contents of the works are analyzed, and finally some regional characteristics are displayed. In the last chapter, the present situation and some problems of Horqin's contemporary printmaking are discussed and studied. Through the final research results of this paper, it is found that Horqin printmaking has formed its own regional style characteristics in the development of several decades, and in the creation of printmaking, Artists enrich Horqin's artistic language by expanding creative techniques and innovative ideas. Compared with other printmaking schools, Horqin's artistic features are more prominent. In the future development, it is necessary to promote the development and progress of Horqin printmaking regional creation based on its own regional cultural characteristics, combined with the diverse development characteristics of modern and contemporary printmaking techniques.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J217
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