【摘要】：正中國山水畫程式語言的產(chǎn)生,都是經(jīng)過畫家長期藝術(shù)實踐后逐步形成的,是畫家自身對藝術(shù)的體悟和感知在自然造化中總結(jié)出來的具有規(guī)范性的藝術(shù)語言體系。畫家繪畫中的程式語言是對自然中的樹石等客觀形象進行的提煉和歸納,是用特定的結(jié)構(gòu)形式來表達畫者主體的情思,以便抒發(fā)個性、寄托襟懷。傳統(tǒng)的山水畫程式的生命活力是建構(gòu)在歷代文人畫家個性風(fēng)格之中,有畫
[Abstract]:The generation of Chinese landscape painting programming language is gradually formed after the painter's long-term artistic practice. It is a normative artistic language system which is summed up by the artist's own understanding and perception of art in the process of natural creation. The routine language in painters' painting is to refine and sum up the objective images such as tree stone in nature, and to express the feelings of the painter's subject in a specific structural form, in order to express the individuality and trust the mind. The life vitality of the traditional landscape painting program is constructed in the individual style of the literati painters of all ages, and there are paintings.
【作者單位】： 中國藝術(shù)研究院文化藝術(shù)出版社;
【分類號】：J212
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本文編號：2444958