【摘要】：“詩意”是中國古典美學中的一個重要美學范疇，它孕育于社會生活和自然界中，它感動創(chuàng)作者，激動觀看者，是一種新鮮優(yōu)美的藝術內容要素。它蘊含著有利于人類整體生存發(fā)展趨向的精神激勵信息�！霸娨狻币辉~不僅出現(xiàn)在文學領域，在繪畫領域也有著廣闊生命的外延。因此我們也可從繪畫的角度，透過林風眠和莫迪里阿尼的繪畫作品和形式語言，對“詩意”特質進行探析，并深入理解其含義。 林風眠與莫迪里阿尼是19世紀末20世紀初中西方具有代表性的兩個畫家，兩人雖所繪畫種不同，但他們作品中的繪畫語言都有一種單純化的傾向，畫面中流露出的詩意特質讓人徜徉其中，心曠神怡。他們都在各自的領域里取得了較高的成就，也各自運用著獨特的藝術語言，追求著心靈的自由，并通過線、色、形、面等，創(chuàng)造出別樣的形式美，追求一種詩意的平和、寧靜的表達。 林風眠的繪畫作品具有詩意的情懷，，體現(xiàn)出東方文化的特質，具有中國藝術內在的精神意蘊。他繪畫中的構圖、線條、墨與彩的交織、情與景的交融，打破了中國畫的某些禁忌，達到前所未有的高度，給人以詩意的享受。莫迪里阿尼獨具的詩人氣質，深刻地創(chuàng)造出了一種特殊的藝術風格。在他的畫作中，造型和審美趣味受到時代的影響，卻始終有著揮之不去的“古典情結”。我們從斜倚或直立的人體上，看到被拉長的人體比例，神經質般的線條及憂郁的眼神，她們造型自然，姿態(tài)優(yōu)雅，都向我們展現(xiàn)出一種恬靜、成熟之美，滿含古典唯美和詩化的傾向。 他們都有著較為殘酷的命運，所畫人物在保持個性的同時又都有一種憂郁、哀怨的神情，仿佛這是藝術家本人對這個世界感受的同化，也許是因為這淡淡的憂傷，反而讓畫面更充滿詩意。在時代的浪潮中，他們依然堅持自我，尊重個性，散發(fā)出如詩人般的氣質。他們筆下的形象如優(yōu)雅的抒情詩一般令人陶醉，通過品味兩位大師的作品，我們可以感覺到如詩一般的語言，這些帶給我們的不僅僅是視覺上的美感，更是精神上的享受。所以，本文通過研究二位大師的繪畫作品，深入探究其繪畫作品中的詩意特質。
[Abstract]:Poetry is an important aesthetic category in Chinese classical aesthetics. It is conceived in social life and nature. It moves the creator and excites the viewer. It is a fresh and beautiful element of art content. It contains the spiritual incentive information which is beneficial to the overall survival and development of human beings. The term "poetic meaning" appears not only in the field of literature, but also in the field of painting. Therefore, from the perspective of painting, through Lin Fengmian and Modigliani's painting works and formal language, we can analyze the characteristics of "poetic" and understand its meaning deeply. Lin Fengmian and Modigliani are two representative painters in China and the West at the end of the 19th century and the beginning of the 20th century. Although their paintings are of different kinds, the painting languages in their works have a tendency of simplicity. The poetic characteristics of the screen let people wander around, relaxed and happy. They have made great achievements in their respective fields, and have also used their own unique artistic language to pursue the freedom of the mind, and through lines, colors, shapes, faces and so on, they have created different forms of beauty and pursued a poetic peace. A quiet expression. Lin Fengmian's paintings have poetic feelings, reflect the characteristics of oriental culture, and have the spiritual meaning of Chinese art. The interweaving of composition, line, ink and color in his paintings, the blending of feelings and scenery, broke some taboos of Chinese painting, reached an unprecedented height, and gave people poetic enjoyment. Modigliani's unique poetic temperament has created a special artistic style. In his paintings, styling and aesthetic taste are influenced by the times, but there is always a lingering "classical complex". We can see the elongated proportion of the human body, the neurotic lines and the melancholy eyes from the lean or upright human body. They are natural in shape and graceful in posture. They all show us the beauty of tranquility and maturity. Full of classical aesthetic and poetic tendencies. They all have a more cruel fate, the characters in the painting while maintaining their personality but also a melancholy, sad look, as if this is the artist's assimilation of the world, perhaps because of this light sadness, On the contrary, it makes the picture more poetic. In the tide of the times, they still insist on themselves, respect their individuality and exude the qualities of poets. Their images are intoxicating as elegant lyric poems. Through the taste of the works of the two masters, we can feel the poetic language, which brings us not only visual beauty, but also spiritual enjoyment. Therefore, by studying the paintings of the two masters, this paper explores the poetic characteristics of their paintings.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J205

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相關期刊論文 前2條

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2 馬杰;;藝術創(chuàng)造,僅有形式是不夠的——從中國當代美術的狀況看形式主義的泛濫[J];美術觀察;2010年12期

本文編號：2416844