【摘要】：油畫作品中所表達(dá)的形態(tài)各異、迥然不同、色彩紛呈的藝術(shù)客體，是由不同的油畫所特有的語(yǔ)言來(lái)表達(dá)和體現(xiàn)的，每位油畫家之所以在其作品中打上了其自身的符號(hào)和烙印，就是因?yàn)樗麄冋业搅诉m合自己的語(yǔ)言表達(dá)形式，并對(duì)其進(jìn)行精心的錘煉和把握，付之自己的情感于這種表達(dá)形式之中，形成具有自身特點(diǎn)的油畫語(yǔ)言，使作品有所創(chuàng)新和突破，與觀者產(chǎn)生共鳴，也就有了自己的藝術(shù)風(fēng)格，“見(jiàn)畫如見(jiàn)人”正是這個(gè)道理。可以說(shuō)油畫的發(fā)展其實(shí)就是對(duì)油畫語(yǔ)言的不斷摸索和探究的過(guò)程，這個(gè)過(guò)程絕不是對(duì)前人的照抄照搬和簡(jiǎn)單的套用，是在繼承前人的優(yōu)秀傳統(tǒng)基礎(chǔ)上，根據(jù)自身的藝術(shù)實(shí)踐和藝術(shù)體驗(yàn)，不斷的進(jìn)行摸索和創(chuàng)新。在時(shí)代變遷和飛速發(fā)展的今天，油畫藝術(shù)要跟上時(shí)代發(fā)展的步伐，，反應(yīng)時(shí)代的變遷，這就對(duì)繪畫表現(xiàn)語(yǔ)言的形式提出了新的挑戰(zhàn)，藝術(shù)反映生活又來(lái)源于生活，這就要求當(dāng)代藝術(shù)家必須扎根于現(xiàn)實(shí)生活，在藝術(shù)創(chuàng)作中不斷進(jìn)行油畫語(yǔ)言的深入探討和研究。因此，如何對(duì)油畫語(yǔ)言進(jìn)行研究和探索是每一個(gè)油畫創(chuàng)作者都必須要面臨和無(wú)法回避的重要課題。 本文圍繞如何進(jìn)行油畫語(yǔ)言的表達(dá)與創(chuàng)新分四部分進(jìn)行闡述，第一部分主要弄清楚什么是油畫語(yǔ)言，梳理油畫語(yǔ)言的基本構(gòu)成及特點(diǎn)，把握準(zhǔn)確油畫語(yǔ)言的基本內(nèi)涵。第二部分突出油畫語(yǔ)言的創(chuàng)新在藝術(shù)創(chuàng)作中的重要作用，獨(dú)特的油畫語(yǔ)言不僅能夠恰如其分的表現(xiàn)出油畫作品的內(nèi)涵，而且還能夠提升畫面的藝術(shù)感染力，在繪畫實(shí)踐中油畫語(yǔ)言創(chuàng)新與突破是形成個(gè)性化藝術(shù)風(fēng)格的根源。第三部分總結(jié)油畫語(yǔ)言創(chuàng)新的具體內(nèi)容，重點(diǎn)強(qiáng)調(diào)油畫語(yǔ)言主要是在造型、筆觸、色彩、肌理、意境、構(gòu)圖等方面的創(chuàng)新，作為油畫表現(xiàn)語(yǔ)言的構(gòu)成元素，最終的目的都是為了追求畫面的視覺(jué)舒適感和美感，以形式美增強(qiáng)藝術(shù)感染力和吸引力。第四部分是本文的重點(diǎn)內(nèi)容，結(jié)合自己創(chuàng)作的實(shí)際提出油畫藝術(shù)創(chuàng)作的手段和途徑，要做到提升個(gè)人創(chuàng)作欲望，把握好創(chuàng)作靈感；加強(qiáng)自身文化藝術(shù)修養(yǎng)，形成良好的審美傾向；嘗試多種藝術(shù)實(shí)踐，找尋創(chuàng)新突破口；留意日常生活，撲捉偶然的藝術(shù)現(xiàn)象；利用科技手段，拓展創(chuàng)作空間等四個(gè)方面展開(kāi)。最后總結(jié)全文，強(qiáng)調(diào)藝術(shù)的形式美最大的魅力在于油畫家自我個(gè)性的藝術(shù)表達(dá)，藝術(shù)家豐富的情感和對(duì)現(xiàn)實(shí)生活的閱歷感悟是藝術(shù)家自我個(gè)性的傳達(dá)的源泉，追求個(gè)性、追求社會(huì)的現(xiàn)實(shí)意義才是油畫的最高境界，這就需要我們對(duì)油畫語(yǔ)言這種形式美感的存在有了更深一層的理解和把握。
[Abstract]:The artistic objects expressed in oil paintings are of different shapes, very different, and colorful. They are expressed and embodied by the unique languages of different oil paintings. Each oil painter has placed his own symbols and imprints in his works. It is because they have found a form of expression suitable for their own language, and carefully practiced and grasped it, paid their own feelings in this form of expression, formed their own oil painting language with their own characteristics, so that the work can be innovated and broken through. Resonate with the viewer and have their own artistic style. It can be said that the development of oil painting is in fact a process of continuous exploration and exploration of oil painting language. This process is by no means a copy and a simple copy of the predecessors, and it is based on inheriting the excellent traditions of the predecessors. According to their own artistic practice and artistic experience, constantly groping and innovation. With the change and rapid development of the times, the art of oil painting should keep pace with the development of the times and reflect the changes of the times. This has posed a new challenge to the form of the language of painting, and the art of reflecting life comes from life. This requires contemporary artists to take root in real life and continue to explore and study the oil painting language in their artistic creation. Therefore, how to study and explore the oil painting language is an important subject that every oil painting creator must face and cannot avoid. This paper discusses how to express and innovate the oil painting language in four parts. The first part is to find out what the oil painting language is, to sort out the basic composition and characteristics of the oil painting language, and to grasp the basic connotation of the accurate oil painting language. The second part highlights the important role of oil painting language innovation in artistic creation, the unique oil painting language can not only appropriately show the connotation of oil paintings, but also enhance the artistic appeal of the picture. In painting practice, oil painting language innovation and breakthrough is the root of the formation of individualized artistic style. The third part summarizes the specific content of oil painting language innovation, emphasizing that oil painting language is mainly in the modeling, stroke, color, texture, artistic conception, composition and other aspects, as the composition of the oil painting language elements, The ultimate purpose is to pursue the visual comfort and aesthetic sense of the picture and enhance artistic appeal and attraction with formal beauty. The fourth part is the key content of this paper, combined with their own actual oil painting art creation means and ways to promote individual creative desire, grasp the creative inspiration; Strengthen their own cultural and artistic accomplishment, form a good aesthetic tendency; try a variety of artistic practice, find a breakthrough in innovation; pay attention to daily life, catch the accidental art phenomenon; use scientific and technological means, expand the creative space. Finally, it is emphasized that the greatest charm of the formal beauty of art lies in the artistic expression of the artist's own personality, and that the artist's rich emotion and experience in real life are the source of the artist's self-personality communication and pursue the individuality. The pursuit of social significance is the highest realm of oil painting, which requires us to have a deeper understanding and grasp of the existence of oil painting language.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王紹軒;;淺析色彩語(yǔ)言在具象油畫中的表現(xiàn)[J];美與時(shí)代(下半月);2010年01期

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