黑白木刻中的平面設(shè)計語素
發(fā)布時間：2019-01-17 08:48
【摘要】：時代的發(fā)展要求學(xué)科之間的相互融合,各專業(yè)、各行業(yè)的跨界互助、互取,已成為一種進(jìn)步的趨勢。黑白木刻與平面設(shè)計屬于藝術(shù)學(xué)科的兩個不同門類,但在藝術(shù)史的發(fā)展中,二者常常表現(xiàn)為互相協(xié)助的關(guān)系。黑白木刻語言給平面設(shè)計提供了一種新的視覺傳達(dá)方式,而平面設(shè)計語言在黑白木刻創(chuàng)作中能夠得到更自由的利用。在這個多元文化化時代,繪畫藝術(shù)和設(shè)計藝術(shù)都在追求個性化的表達(dá),在繪畫藝術(shù)多元審美的影響下,平面設(shè)計不再像以往那樣純粹以功能性、實(shí)用性為目的,設(shè)計師在追求客戶滿足和商業(yè)利益的同時,多了一份對自我表達(dá)、自我風(fēng)格的個性追求,。另一方面,木刻藝術(shù)同樣深受平面設(shè)計藝術(shù)的影響�，F(xiàn)代科技的發(fā)展、電腦軟件的使用等豐富了平面設(shè)計語言的可能性,平面設(shè)計的風(fēng)格面貌也在不斷的推陳出新,這些新的語言和風(fēng)格越來越多的利用到了當(dāng)代黑白木刻創(chuàng)作之中,借助設(shè)計語言元素的根本,沖破版畫語言自身的局限性,使其更大眾化,更加貼近生活,這是時代的趨勢也是普世價值的需求。黑白木刻作為版畫藝術(shù)的一個門類,自其誕生以來一直以平面化視覺審美元素呈現(xiàn)給觀眾。黑、白這兩種高度概括又包納一切色彩的顏色,將自然界復(fù)雜的色彩加以提煉、抽取、重構(gòu)出來,擁有強(qiáng)大表現(xiàn)力,簡練、單純而直接。黑白二色構(gòu)造了黑白木刻獨(dú)特的藝術(shù)表現(xiàn)形式美。黑白木刻藝術(shù)的創(chuàng)作不受商業(yè)利益的驅(qū)使和功能實(shí)用性的需求,可以更自由的借鑒創(chuàng)意平面設(shè)計當(dāng)中的個性語素。無論是嚴(yán)謹(jǐn)?shù)睦硇栽O(shè)計語言,還是自由的表現(xiàn)設(shè)計語言,都可以在創(chuàng)作中得到很好的利用,這取決于藝術(shù)家的個性、喜好,更重要的是取決于藝術(shù)家的思想和所要表達(dá)的內(nèi)容。當(dāng)代新的平面設(shè)計藝術(shù)語言,創(chuàng)造了諸多新的視覺秩序,其創(chuàng)新性能引起觀眾的興趣,進(jìn)而激發(fā)其閱讀的主動性,這給予黑白木刻等當(dāng)下的繪畫藝術(shù)語言一定的借鑒意義。本文將結(jié)合藝術(shù)家的創(chuàng)作實(shí)例分析與筆者長期以來的創(chuàng)作感悟,討論平面設(shè)計語言在黑白木刻創(chuàng)作中的影響及其應(yīng)用,豐富平面設(shè)計語言在黑白木刻創(chuàng)作中的可能性,作為對當(dāng)代黑白木刻一類創(chuàng)作語言的梳理研究。
[Abstract]:The development of the times requires the integration of disciplines, the cross-border mutual assistance and mutual access of all professions and specialties, which has become a progressive trend. Black and white woodcut and graphic design belong to two different categories of art disciplines, but in the development of art history, they often show the relationship of mutual assistance. Black and white woodcut language provides a new way of visual communication for graphic design, and graphic design language can be used more freely in black-and-white woodcut creation. In this age of multiculturalization, painting art and design art are pursuing individualized expression. Under the influence of multi-aesthetic appreciation of painting art, graphic design is no longer purely functional and practical as it used to be. In pursuit of customer satisfaction and business interests, designers have added a personal pursuit of self-expression and self-style. On the other hand, woodcut art is also deeply influenced by graphic design art. The development of modern science and technology and the use of computer software have enriched the possibility of graphic design language. These new languages and styles are more and more used in contemporary black-and-white woodcut creation. With the help of the elements of design language, they break through the limitations of the print language itself and make it more popular and more close to life. This is the trend of the times and the demand of universal values. Black and white woodcut, as a kind of printmaking art, has been presented to the audience with plane visual aesthetic elements since its birth. Black and white are two kinds of colors, which contain all colors. They refine, extract and reconstruct the complex colors of nature. They have strong expressiveness, simplicity, simplicity and directness. Black and white dichroism constructs the unique artistic expression beauty of black and white woodcut. The creation of black and white woodcut art is not driven by commercial interests and functional practical needs, can more freely learn from the creative graphic design in the personality morpheme. Whether it is a rigorous rational design language or a free expressive design language, it can be used well in the creation, which depends on the artist's personality, preferences and, more importantly, the artist's thought and the content to be expressed. The new art language of contemporary graphic design has created many new visual order, and its innovation can arouse the interest of the audience and arouse its initiative of reading, which will give some reference to the contemporary artistic language of painting such as black-and-white woodcut. This paper will discuss the influence of graphic design language in black-and-white woodcut creation and its application, and enrich the possibility of graphic design language in black-and-white woodcut creation. As a kind of contemporary black and white woodcut writing language combing research.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J217
本文編號：2409826
[Abstract]:The development of the times requires the integration of disciplines, the cross-border mutual assistance and mutual access of all professions and specialties, which has become a progressive trend. Black and white woodcut and graphic design belong to two different categories of art disciplines, but in the development of art history, they often show the relationship of mutual assistance. Black and white woodcut language provides a new way of visual communication for graphic design, and graphic design language can be used more freely in black-and-white woodcut creation. In this age of multiculturalization, painting art and design art are pursuing individualized expression. Under the influence of multi-aesthetic appreciation of painting art, graphic design is no longer purely functional and practical as it used to be. In pursuit of customer satisfaction and business interests, designers have added a personal pursuit of self-expression and self-style. On the other hand, woodcut art is also deeply influenced by graphic design art. The development of modern science and technology and the use of computer software have enriched the possibility of graphic design language. These new languages and styles are more and more used in contemporary black-and-white woodcut creation. With the help of the elements of design language, they break through the limitations of the print language itself and make it more popular and more close to life. This is the trend of the times and the demand of universal values. Black and white woodcut, as a kind of printmaking art, has been presented to the audience with plane visual aesthetic elements since its birth. Black and white are two kinds of colors, which contain all colors. They refine, extract and reconstruct the complex colors of nature. They have strong expressiveness, simplicity, simplicity and directness. Black and white dichroism constructs the unique artistic expression beauty of black and white woodcut. The creation of black and white woodcut art is not driven by commercial interests and functional practical needs, can more freely learn from the creative graphic design in the personality morpheme. Whether it is a rigorous rational design language or a free expressive design language, it can be used well in the creation, which depends on the artist's personality, preferences and, more importantly, the artist's thought and the content to be expressed. The new art language of contemporary graphic design has created many new visual order, and its innovation can arouse the interest of the audience and arouse its initiative of reading, which will give some reference to the contemporary artistic language of painting such as black-and-white woodcut. This paper will discuss the influence of graphic design language in black-and-white woodcut creation and its application, and enrich the possibility of graphic design language in black-and-white woodcut creation. As a kind of contemporary black and white woodcut writing language combing research.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J217
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 戚躍春;;非理性平面設(shè)計視覺語言分析[J];廈門大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2008年03期
2 彭偉;;游弋于現(xiàn)代與傳統(tǒng)之間——數(shù)碼技術(shù)與當(dāng)代黑白木刻藝術(shù)[J];藝術(shù)探索;2008年02期
，本文編號：2409826
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