【摘要】：正我的繪畫像是自己對生活碎片式的經歷和體悟,故而,我的思維和繪畫圖式間的關系總是若即若離。我會將各種在日常生活中的所思所想記錄下來。我覺得,類似"憂郁癥"、"軌跡"、"表現(xiàn)欲"等概念,一旦找到可以付諸于形的物象時,就會成就新的作品。很多人在沒有看過我作品前,是無法聯(lián)想到那種畫面中的并置和組合關系的。就像茶跟咖啡,似乎是相互沖突,不搭調的。我還以為,當代與傳統(tǒng)的界線并非涇渭分明,文化的脈絡是一以貫之的,如果能夠把握住文化的根基和精髓,技法也罷,所選擇的意象也罷,都可以棄之不顧。事實上,當代藝術和傳統(tǒng)藝術間的區(qū)別都只是表象。我將看似
[Abstract]:My painting is like my own experience and understanding of life fragments, so the relationship between my thinking and painting schemata is always inseparable. I will write down all kinds of thoughts and thoughts in my daily life. I think concepts such as depression, locus, and desire, once you find an object that can be applied to form, will make a new work. A lot of people can't think of the juxtaposition and combination before they see my work. Just like tea and coffee, they seem to be in conflict and out of tune. I also think that the line between contemporary and traditional is not clear, cultural context is consistent, if we can grasp the foundation and essence of culture, techniques, choose the image, can be abandoned. In fact, the difference between contemporary art and traditional art is only superficial. I'll look like
【作者單位】： 中國藝術研究院藝術創(chuàng)作院;
【分類號】：J212
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本文編號：2409539