對中國當(dāng)代風(fēng)景油畫中人文關(guān)懷的思考
發(fā)布時間：2019-01-15 23:20
【摘要】：改革開放至今三十多年以來,中國經(jīng)濟建設(shè)飛速發(fā)展,中國的美術(shù)事業(yè)也取得了巨大的成就。多元文化的碰撞形成了當(dāng)今中國開放、開明的畫壇,人才輩出,創(chuàng)作異彩紛呈。人們以一種更加包容的態(tài)度來對待美術(shù),那么美術(shù)也必將更全面深刻的反映和滿足人們的精神需求,這就要求藝術(shù)家在繪畫創(chuàng)作中承擔(dān)社會良心,承載社會道義,肩負歷史使命,體現(xiàn)人文關(guān)懷,這是藝術(shù)家本身應(yīng)有的責(zé)任也是歷史所賦予的使命。在當(dāng)代中國風(fēng)景油畫的發(fā)展中,有許多眼光敏銳、思想深沉的人,他們時刻關(guān)注著社會前途和人民命運去經(jīng)營自己的藝術(shù),在他們的作品中,往往陳述著一種現(xiàn)實,一種心情和思索,體現(xiàn)出強烈的人文情懷。 本文以人文關(guān)懷為立足點,以中國當(dāng)代風(fēng)景油畫為研究領(lǐng)域,思考當(dāng)代風(fēng)景油畫家如何在多元文化的今天堅持正確的藝術(shù)創(chuàng)作方向以及理解在中國當(dāng)代風(fēng)景油畫中油畫家是怎樣在風(fēng)景畫創(chuàng)作中體現(xiàn)出人文關(guān)懷等重大問題來展開分析。 文章從三點入手展開論證： 第一：從對中國傳統(tǒng)文化中的“人文”一詞來入手理解“人文關(guān)懷”的理念,并且隨著時代的發(fā)展,人文關(guān)懷在當(dāng)代中國也有不同的新內(nèi)涵,最后指出講明本篇論文所論述的“人文關(guān)懷”,是繼承中國傳統(tǒng)文化之“人文精神”和西方先進文化中“人文主義”精神以及具有新的時代內(nèi)涵的當(dāng)代人文關(guān)懷理念。 第二：歸納出中國風(fēng)景油畫在當(dāng)代呈現(xiàn)的新特征,通過對當(dāng)代風(fēng)景油畫中所體現(xiàn)的時代精神、民族精神、現(xiàn)實主義精神同人文關(guān)懷的聯(lián)系來回答本篇論文所提出的問題,并舉例進行分析,這也是本篇論文的核心部分。 第三,談?wù)勗谥袊?dāng)代社會語境下,風(fēng)景畫家如何將風(fēng)景油畫創(chuàng)作中同人文關(guān)懷緊密聯(lián)系起來。 總結(jié)：當(dāng)代風(fēng)景油畫的發(fā)展,應(yīng)緊隨時代,關(guān)注社會現(xiàn)實,關(guān)注人的發(fā)展、以及關(guān)注人的精神世界。使中國當(dāng)代風(fēng)景油畫充滿生命力,在中國的文化藝術(shù)道路上前行得更遠。
[Abstract]:Since the reform and opening up to date more than 30 years ago, China's economic construction has developed rapidly, and China's art industry has also made great achievements. The collision of multiculturalism has formed the open and enlightened painting world in China. If people treat art with a more inclusive attitude, then art will also reflect and satisfy the spiritual needs of people more comprehensively and profoundly. This requires artists to bear social conscience and social morality in their paintings. To shoulder the historical mission and embody humanistic concern is the responsibility of the artist himself and the mission given by history. In the development of contemporary Chinese landscape oil painting, there are many people with keen eyes and deep thinking who are always concerned about the future of society and the fate of the people to run their own art. In their works, they often state a reality. A mood and a reflection of strong humanistic feelings. This article takes the humanistic concern as the foothold, takes the Chinese contemporary landscape oil painting as the research field, Thinking about how contemporary landscape oil painters adhere to the correct direction of artistic creation in the multiculturalism today and understand how oil painters embody humanistic concern in landscape painting in contemporary Chinese landscape painting. The article starts with three points of argumentation: first, to understand the concept of "humanistic care" from the word "humanities" in Chinese traditional culture, and with the development of the times, humanistic care also has different new connotations in contemporary China. Finally, it is pointed out that the "humanistic care" discussed in this paper is the "humanistic spirit" inherited from the Chinese traditional culture, the "humanism" spirit in the western advanced culture and the contemporary humanistic care concept with new connotation of the times. Second: summarize the new features of Chinese landscape oil painting in the contemporary, through the contemporary landscape oil painting embodied in the spirit of the times, national spirit, realism spirit and the relationship between human language care to answer the question raised in this paper, This is also the core of this paper. Third, in the context of contemporary Chinese society, landscape painters how to closely link landscape painting with human care. Conclusion: the development of contemporary landscape oil painting should follow the times, pay close attention to the social reality, the development of human beings, and the spiritual world of human beings. Make Chinese contemporary landscape oil painting full of vitality, in China's cultural and artistic road further ahead.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213
本文編號：2409212
[Abstract]:Since the reform and opening up to date more than 30 years ago, China's economic construction has developed rapidly, and China's art industry has also made great achievements. The collision of multiculturalism has formed the open and enlightened painting world in China. If people treat art with a more inclusive attitude, then art will also reflect and satisfy the spiritual needs of people more comprehensively and profoundly. This requires artists to bear social conscience and social morality in their paintings. To shoulder the historical mission and embody humanistic concern is the responsibility of the artist himself and the mission given by history. In the development of contemporary Chinese landscape oil painting, there are many people with keen eyes and deep thinking who are always concerned about the future of society and the fate of the people to run their own art. In their works, they often state a reality. A mood and a reflection of strong humanistic feelings. This article takes the humanistic concern as the foothold, takes the Chinese contemporary landscape oil painting as the research field, Thinking about how contemporary landscape oil painters adhere to the correct direction of artistic creation in the multiculturalism today and understand how oil painters embody humanistic concern in landscape painting in contemporary Chinese landscape painting. The article starts with three points of argumentation: first, to understand the concept of "humanistic care" from the word "humanities" in Chinese traditional culture, and with the development of the times, humanistic care also has different new connotations in contemporary China. Finally, it is pointed out that the "humanistic care" discussed in this paper is the "humanistic spirit" inherited from the Chinese traditional culture, the "humanism" spirit in the western advanced culture and the contemporary humanistic care concept with new connotation of the times. Second: summarize the new features of Chinese landscape oil painting in the contemporary, through the contemporary landscape oil painting embodied in the spirit of the times, national spirit, realism spirit and the relationship between human language care to answer the question raised in this paper, This is also the core of this paper. Third, in the context of contemporary Chinese society, landscape painters how to closely link landscape painting with human care. Conclusion: the development of contemporary landscape oil painting should follow the times, pay close attention to the social reality, the development of human beings, and the spiritual world of human beings. Make Chinese contemporary landscape oil painting full of vitality, in China's cultural and artistic road further ahead.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213
【參考文獻】
相關(guān)期刊論文 前1條
1 童慶炳,陶東風(fēng);人文關(guān)懷與歷史理性的缺失──“新現(xiàn)實主義小說”再評價[J];文學(xué)評論;1998年04期
，本文編號：2409212
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