論中國(guó)寫意油畫的形式語言
發(fā)布時(shí)間:2019-01-14 11:23
【摘要】:中國(guó)寫意油畫是油畫民族化的產(chǎn)物,是西方油畫在傳入中國(guó)的過程中受中國(guó)傳統(tǒng)文化影響,逐漸演變而成的一種新型表現(xiàn)形式。中國(guó)寫意油畫因其不僅繼承了西方油畫的特性,同時(shí)還具有中國(guó)文化特征,受到中國(guó)油畫界的關(guān)注,并以這種獨(dú)具民族文化特征的形式語言,成為中國(guó)油畫主流表現(xiàn)形式之一。然而其獨(dú)特的形式語言是中國(guó)寫意油畫最直觀和最顯著的特征,,形式語言作為作品的外貌特征,也是作品內(nèi)容的外在體現(xiàn),它承載著創(chuàng)作主體的個(gè)人情感,更承載著情感背后的文化因素。因此,要正確解讀和賞析中國(guó)寫意油畫,還要從其形式語言著手,以一種由表及里的方式去理解中國(guó)寫意油畫及其形式語言的純粹性。本文從中國(guó)文化范疇內(nèi)和藝術(shù)家本身所具有的知識(shí)結(jié)構(gòu)去思考中國(guó)寫意油畫形式語言的自覺性轉(zhuǎn)變,以及在全球文化整合下所面臨的挑戰(zhàn)和未來的發(fā)展方向。
[Abstract]:Chinese freehand brushwork oil painting is the product of nationalization of oil painting. It is a new form of expression formed by the influence of Chinese traditional culture in the process of western oil painting being introduced into China. Chinese freehand oil painting not only inherits the characteristics of western oil painting, but also has Chinese cultural characteristics, which has attracted the attention of the Chinese oil painting circle, and has become one of the mainstream forms of Chinese oil painting with this unique national cultural characteristics of the form language. However, its unique formal language is the most intuitive and prominent feature of Chinese freehand brushwork. As the appearance feature of the work, the formal language is also the external embodiment of the content of the work, which bears the personal emotion of the creative subject. It also bears the cultural factors behind the emotion. Therefore, in order to correctly interpret and appreciate Chinese freehand brushwork, we should start from its formal language and understand the purity of Chinese freehand brushwork and its formal language in a way from the surface to the inside. From the perspective of Chinese culture and the knowledge structure of the artists themselves, this paper tries to reflect on the change of consciousness of the formal language of Chinese freehand oil painting, the challenges and the future development direction under the global cultural integration.
【學(xué)位授予單位】:湖南科技大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J213
本文編號(hào):2408642
[Abstract]:Chinese freehand brushwork oil painting is the product of nationalization of oil painting. It is a new form of expression formed by the influence of Chinese traditional culture in the process of western oil painting being introduced into China. Chinese freehand oil painting not only inherits the characteristics of western oil painting, but also has Chinese cultural characteristics, which has attracted the attention of the Chinese oil painting circle, and has become one of the mainstream forms of Chinese oil painting with this unique national cultural characteristics of the form language. However, its unique formal language is the most intuitive and prominent feature of Chinese freehand brushwork. As the appearance feature of the work, the formal language is also the external embodiment of the content of the work, which bears the personal emotion of the creative subject. It also bears the cultural factors behind the emotion. Therefore, in order to correctly interpret and appreciate Chinese freehand brushwork, we should start from its formal language and understand the purity of Chinese freehand brushwork and its formal language in a way from the surface to the inside. From the perspective of Chinese culture and the knowledge structure of the artists themselves, this paper tries to reflect on the change of consciousness of the formal language of Chinese freehand oil painting, the challenges and the future development direction under the global cultural integration.
【學(xué)位授予單位】:湖南科技大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J213
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本文編號(hào):2408642
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