“80后”油畫創(chuàng)作卡通化現(xiàn)象研究
發(fā)布時間：2019-01-10 13:47
【摘要】：“八五新潮”在中國藝術發(fā)展歷程中占據(jù)著重要的地位,因為“八五新潮”宣告中國當代藝術的誕生。從那時起,處于新時期的中國人用自己對藝術全新的理解,推動當代藝術向前發(fā)展。“80后”憑借自己獨特的藝術天賦,以卡通化的油畫創(chuàng)作語言在當代藝術領域嶄露頭角。隨著“80后”優(yōu)秀作品的展出,使得人們更加關注“80后”藝術工作者的成長,社會也為“80后”制造了寬松的環(huán)境,很多“80后”活躍在藝術領域。本文旨在分析“80后”油畫創(chuàng)作的特點,以及運用卡通化語言創(chuàng)作這一現(xiàn)象背后的原因,并結合一些具有代表性的“80后”作進一步的分析和論證。論文主要分為五部分： 第一部分簡要介紹了課題的意義和背景。 第二部分主要介紹油畫創(chuàng)作卡通化的形成與發(fā)展。本部分首先對“卡通化”的概念進行論述,接下來回顧了近年來卡通化繪畫的發(fā)展歷程以及卡通化繪畫當前的發(fā)展狀況。 第三部分較為詳細的分析了“80后”油畫創(chuàng)作卡通化現(xiàn)象的形成的原因。本部分從三個方面展開討論。分別從“80后”的成長環(huán)境,“80后”的心理特點及價值取向,波普藝術等方面分析了“80后”油畫創(chuàng)作卡通化的成因。 第四部分系統(tǒng)的研究了“80后”油畫創(chuàng)作的共同特點。發(fā)現(xiàn)在“80后”卡通化作品中都具有共性：表現(xiàn)題材更接近生活,內容微觀、快感敘事,表現(xiàn)手法平面化、符號化。為進一步論證主題,本部分列舉了一些具有代表性的“80后”,并對他們的心理及作品進行了研究。 第五部分較為詳細的研究了“80后”卡通式油畫的個性特征。分別從畫面色彩、視覺和內容三個方面進行了闡述。 第六部分為結論。通過以上各部分的研究發(fā)現(xiàn)“80后”油畫創(chuàng)作卡通化現(xiàn)象的存在是合理的,也是有原因的。“80后”的卡通化作品對題材的選取更加貼近生活,作品內容不追求宏大敘事,而是微觀敘事,他們善于在作品中運用平面化、符號化的手法�！�80后”油畫創(chuàng)作卡通化是和“80后”的成長環(huán)境密不可分的。此外,還有“80后”的心理特點及價值取向。發(fā)端于英國的波普藝術也對“80后”創(chuàng)作語言的選取有大的影響。因為波普藝術比較重視流行藝術和通俗文化,并且以大眾形象為創(chuàng)作題材,這種藝術理念為“80后”的藝術選擇起到了支撐作用。
[Abstract]:The eight-five-year-old trend occupies an important position in the development of Chinese art, because the 8-5-year-old trend declares the birth of Chinese contemporary art. Since then, the Chinese people in the new era, with their own new understanding of art, to promote the development of contemporary art. "after 80s" with their own unique artistic talent, with Katonghua oil painting language in the field of contemporary art to emerge. With the exhibition of outstanding works, people pay more attention to the growth of post-80s art workers, and society has created a relaxed environment for the post-80s, many of which are active in the field of art. The purpose of this paper is to analyze the characteristics of "post-80s" oil painting creation and the reasons behind the phenomenon of using Katonghua language creation, and to further analyze and demonstrate some representative "post-80s" paintings. The thesis is divided into five parts: the first part briefly introduces the significance and background of the subject. The second part mainly introduces the formation and development of oil painting creation card. This part first discusses the concept of "Katonghua", and then reviews the development of Katonghua painting in recent years and the current development of Katonghua painting. The third part analyzes the reasons of the formation of the oil painting card. This part starts the discussion from three aspects. This paper analyzes the causes of "80 post-80s" oil painting creation cards from the aspects of the growth environment, psychological characteristics and value orientation, pop art and so on. The fourth part systematically studies the common characteristics of post-80s oil painting creation. It is found that there are commonalities in the Katonghua works of the post-80s: the subject matter is closer to life, the content is microscopic, the pleasure is narrative, the expression technique is flat and symbolized. In order to further demonstrate the theme, this part enumerates some representative "after 80s", and studies their psychology and works. In the fifth part, the personality characteristics of the post-80s cartoon oil painting are studied in detail. Respectively from the screen color, vision and content three aspects are described. The sixth part is the conclusion. Through the study of the above parts, it is found that the existence of "80 generation" oil painting creation card Tonghua phenomenon is reasonable, and there is also a reason. The "80 post-80s" cartonization works are more close to life in the selection of themes, and the contents of the works do not pursue grand narration. But micro-narration, they are good at using planarization and symbolization in their works. "80 generation" oil painting creation card Tonghua is closely related to the "after 80" growth environment. In addition, there are "after 80" psychological characteristics and value orientation. Pop art, which originated in Britain, also has a great influence on the selection of creative language. Because pop art pays more attention to pop art and popular culture, and takes the popular image as the creation subject matter, this artistic idea plays a supporting role for the art choice of "post-80s".
【學位授予單位】：鄭州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213
本文編號：2406386
[Abstract]:The eight-five-year-old trend occupies an important position in the development of Chinese art, because the 8-5-year-old trend declares the birth of Chinese contemporary art. Since then, the Chinese people in the new era, with their own new understanding of art, to promote the development of contemporary art. "after 80s" with their own unique artistic talent, with Katonghua oil painting language in the field of contemporary art to emerge. With the exhibition of outstanding works, people pay more attention to the growth of post-80s art workers, and society has created a relaxed environment for the post-80s, many of which are active in the field of art. The purpose of this paper is to analyze the characteristics of "post-80s" oil painting creation and the reasons behind the phenomenon of using Katonghua language creation, and to further analyze and demonstrate some representative "post-80s" paintings. The thesis is divided into five parts: the first part briefly introduces the significance and background of the subject. The second part mainly introduces the formation and development of oil painting creation card. This part first discusses the concept of "Katonghua", and then reviews the development of Katonghua painting in recent years and the current development of Katonghua painting. The third part analyzes the reasons of the formation of the oil painting card. This part starts the discussion from three aspects. This paper analyzes the causes of "80 post-80s" oil painting creation cards from the aspects of the growth environment, psychological characteristics and value orientation, pop art and so on. The fourth part systematically studies the common characteristics of post-80s oil painting creation. It is found that there are commonalities in the Katonghua works of the post-80s: the subject matter is closer to life, the content is microscopic, the pleasure is narrative, the expression technique is flat and symbolized. In order to further demonstrate the theme, this part enumerates some representative "after 80s", and studies their psychology and works. In the fifth part, the personality characteristics of the post-80s cartoon oil painting are studied in detail. Respectively from the screen color, vision and content three aspects are described. The sixth part is the conclusion. Through the study of the above parts, it is found that the existence of "80 generation" oil painting creation card Tonghua phenomenon is reasonable, and there is also a reason. The "80 post-80s" cartonization works are more close to life in the selection of themes, and the contents of the works do not pursue grand narration. But micro-narration, they are good at using planarization and symbolization in their works. "80 generation" oil painting creation card Tonghua is closely related to the "after 80" growth environment. In addition, there are "after 80" psychological characteristics and value orientation. Pop art, which originated in Britain, also has a great influence on the selection of creative language. Because pop art pays more attention to pop art and popular culture, and takes the popular image as the creation subject matter, this artistic idea plays a supporting role for the art choice of "post-80s".
【學位授予單位】：鄭州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213
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