【摘要】：在繪畫(huà)藝術(shù)里,版畫(huà)是一個(gè)重要門(mén)類(lèi),它具有自己明顯的特征,存在的歷史悠久。絲網(wǎng)版畫(huà)雖然不像版畫(huà),沒(méi)有厚重的傳統(tǒng)作為依托,但在版畫(huà)這個(gè)門(mén)類(lèi)中,絲網(wǎng)版畫(huà)是表現(xiàn)形式較為自由卻是更注重裝飾意識(shí)的一個(gè)版種。絲網(wǎng)版畫(huà)的發(fā)展從一開(kāi)始就緊跟技術(shù)的革新與時(shí)代的步伐,經(jīng)歷了從商業(yè)生活實(shí)用版畫(huà)到藝術(shù)創(chuàng)作版畫(huà)的過(guò)程。許多當(dāng)代藝術(shù)家如安迪·沃霍爾和伊門(mén)道夫等都利用過(guò)絲網(wǎng)版畫(huà)的技術(shù),將作品通過(guò)制作印刷來(lái)表現(xiàn)與傳達(dá)他們的精神及理念。絲網(wǎng)版畫(huà)的出現(xiàn)標(biāo)志著裝飾與現(xiàn)代科技對(duì)傳統(tǒng)版畫(huà)的滲透,在現(xiàn)代電腦制版、光電科技的手段下,絲網(wǎng)版畫(huà)藝術(shù)以它獨(dú)特的表現(xiàn)形式和藝術(shù)手法不斷完善發(fā)展著,形成了今天我們所見(jiàn)的較過(guò)去更加繁榮的局面。在版畫(huà)藝術(shù)中,抽象元素是其中一種表現(xiàn)形式,它所表現(xiàn)出來(lái)的點(diǎn)、線(xiàn)、面與現(xiàn)代視覺(jué)的審美要求相契合。它的存在、構(gòu)成、變化與組合不單單豐富了絲網(wǎng)版畫(huà)藝術(shù)創(chuàng)作方面的語(yǔ)言和思路,對(duì)絲網(wǎng)版畫(huà)藝術(shù)的發(fā)展同樣起到了重要作用。本論文旨在分析研究絲網(wǎng)版畫(huà)中點(diǎn)線(xiàn)面的裝飾藝術(shù)效果與情感表達(dá),以及絲網(wǎng)版畫(huà)的形成、發(fā)展、制作和藝術(shù)特點(diǎn)。想讓絲網(wǎng)版畫(huà)得到更進(jìn)一步的發(fā)展,就需要多汲取一些視覺(jué)文化中的要素,這樣才會(huì)被更多的人認(rèn)可和接受。而我們所要研究的正是將點(diǎn)線(xiàn)面這三種元素在絲網(wǎng)版畫(huà)中以一種獨(dú)特以及鮮活的姿態(tài)呈現(xiàn)出它自身的價(jià)值來(lái)。
[Abstract]:In painting art, print is an important category, it has its own obvious characteristics, the existence of a long history. Although the screen print is not like printmaking, there is no heavy tradition to rely on, but in this category, the screen print is a more free form of expression but more attention to decorative awareness of a version of the species. From the beginning, the development of screen print followed the innovation of technology and the pace of the times, and experienced the process from practical printmaking in commercial life to artistic printmaking. Many contemporary artists, such as Andy Warhol and Emendorf, have used the technique of screen prints to express and convey their spirit and ideas by making and printing their works. The appearance of screen printing marks the penetration of decoration and modern science and technology to traditional prints. Under the means of modern computer plate-making and photoelectricity technology, screen printing art is constantly improving and developing with its unique form of expression and artistic technique. The situation that we see today is more prosperous than it used to be. Abstract elements are one of the forms of expression in printmaking art, and the points, lines, surfaces and aesthetic requirements of modern vision coincide with each other. Its existence, composition, change and combination not only enrich the language and ideas of screen print art creation, but also play an important role in the development of screen print art. The purpose of this paper is to analyze and study the decorative artistic effect and emotional expression of wire screen prints, as well as the formation, development, production and artistic characteristics of screen prints. In order to further develop screen print, we need to absorb more elements of visual culture so as to be recognized and accepted by more people. What we are going to study is that the three elements of point line and surface are presented in a unique and vivid manner in the screen print.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J217

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