發(fā)布時(shí)間：2019-01-05 16:58

【摘要】：本文以明代萬歷年間宮廷畫家吳彬的風(fēng)俗畫代表作《歲華紀(jì)勝圖》為切入點(diǎn)，追溯月令的淵源，通過比較吳彬前后兩套內(nèi)容相同畫風(fēng)相異的月令圖，即《月令圖》和《歲華紀(jì)勝圖》，以及它和其他兩套宮廷月令圖《清院本十二月令圖軸》和《雍正十二月行樂圖》的異同，來挖掘畫作背后的故事，，厘清這套圖的正確順序，分析其選題特色。同時(shí)，作者將梳理吳彬畫風(fēng)養(yǎng)成的各方面因素，同時(shí)考證其生卒年。本文還將從建筑的角度分析吳彬的建造化山水，來說明建筑在吳彬繪畫的空間結(jié)構(gòu)中所起的重要作用。
[Abstract]:In this paper, based on the classic painting masterpiece of Wu Bin, a palace painter in the Wanli period of the Ming Dynasty, "the picture of Hua Jiesheng at the age of age", and tracing back to the origin of the lunar order, this paper compares the two sets of lunar pictures with different styles of painting before and after Wu Bin. That is, "Yuejingtu" and < year-old Hua Jiisheng Pictures], and the similarities and differences between them and the other two sets of palace monthly maps < Qing Yuan's original and 12 months' drawing axes] and Yongzheng's December Ching Le Pictures, in order to dig up the stories behind the paintings and clarify the correct order of this set of drawings. This paper analyzes the characteristics of the selected topics. At the same time, the author will comb the various factors of Wu Bin's painting style, and verify its birth and death year at the same time. This paper will also analyze Wu Bin's construction of landscape from the perspective of architecture to illustrate the important role of architecture in the spatial structure of Wu Bin painting.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J205

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