【摘要】：宋朝是中國(guó)歷史上經(jīng)濟(jì)、文化最為繁榮的時(shí)代之一，源遠(yuǎn)流長(zhǎng)的賞石文化和賞石繪畫(huà)藝術(shù)也是在此期間達(dá)到了鼎盛和輝煌。 觀賞石是大自然賦予人類(lèi)的寶貴財(cái)富，中華文化也蘊(yùn)含有豐富的崇石情結(jié)，石之：“壽、堅(jiān)、安、實(shí)”之品格，自古以來(lái)就被文人雅士所推崇。歷代行徑怪誕的石癡比比皆是。醉心愛(ài)石者需有四種境界:迷、癡、顛、狂，最著名的也當(dāng)推宋代的石顛-米芾、石狂-徽宗。 中國(guó)畫(huà)是在長(zhǎng)期的歷史發(fā)展過(guò)程中所形成的世界上獨(dú)樹(shù)一幟的民族性藝術(shù),是一種獨(dú)特的繪畫(huà)語(yǔ)言，從賞石在中國(guó)繪畫(huà)中的表現(xiàn)，可以看出隨著歷史的進(jìn)程，賞石圖從形象特征、思想內(nèi)涵、審美情趣和藝術(shù)風(fēng)格，都有著自身的發(fā)展變化軌跡。宋代的賞石繪畫(huà)經(jīng)過(guò)畫(huà)家們的概括提煉，畫(huà)出了賞石的精神、特點(diǎn)來(lái)和神韻，揭示出賞石所蘊(yùn)含的象征性、人格化等思想內(nèi)涵。賞石作為一種特殊的文化載體，呈現(xiàn)出鮮明的時(shí)代性，而這種時(shí)代性始終受著賞石的社會(huì)風(fēng)氣、品評(píng)標(biāo)準(zhǔn)、技巧風(fēng)格等因素的制約和影響，從中亦可總結(jié)出某些規(guī)律的東西。 賞石及賞石繪畫(huà)那美輪美奐的藝術(shù)魅力和厚重的文化內(nèi)涵，，有著深刻的歷史價(jià)值和社會(huì)價(jià)值。賞石畫(huà)石，時(shí)至今日,作為一種傳統(tǒng)文化依然被當(dāng)代的藝術(shù)家們所膜拜,作為一個(gè)課題，始終值得我們?nèi)ズ煤脤W(xué)習(xí)和研究。
[Abstract]:Song Dynasty is one of the most prosperous times of economy and culture in Chinese history. Ornamental stone is a precious treasure endowed by nature, Chinese culture also contains rich stone worship complex, stone: "longevity, strength, peace, reality" character, has been respected since ancient times. The eerie stone delusion of the past dynasties abound. People who love stone have four kinds of realms: obsessive, subversive, crazy, and the most famous are Shi Tian-mi Fu, Shi Mang-Hui Zong of the Song Dynasty. Chinese painting is a unique national art in the world formed in the course of long-term historical development. It is a unique painting language. From the performance of appreciating stone in Chinese painting, we can see that with the development of history, The stone appreciation chart has its own development and change track from image characteristics, ideological connotation, aesthetic taste and artistic style. The painting of appreciating stone in Song Dynasty has been summarized and refined by the painters, and has drawn the spirit, characteristics and charm of appreciating stone, revealing the symbolic, personification and other ideological connotations contained in appreciating stone. As a special cultural carrier, the appreciation of stone presents a distinct epoch, which is always restricted and influenced by the social atmosphere, evaluation standards, skill style and so on, from which some regular things can be summed up. The magnificent artistic charm and cultural connotation of stone appreciation and stone painting have profound historical and social value. To this day, as a traditional culture is still worshipped by contemporary artists, as a subject, it is always worth our study and research.
【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J209.2

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本文編號(hào)：2401555