明代民窯景德鎮(zhèn)青花瓷器“國(guó)畫”藝術(shù)初探
發(fā)布時(shí)間：2019-01-02 17:36
【摘要】：聲名顯赫的景德鎮(zhèn)，長(zhǎng)期以來(lái)可以說(shuō)是“瓷器”的代名詞。經(jīng)過(guò)歷代的積淀后，明代的景德鎮(zhèn)民窯青花瓷器繪畫藝術(shù)發(fā)展最為迅速，明清時(shí)期的景德鎮(zhèn)民窯青花瓷器在我國(guó)的瓷器藝術(shù)史上留下了濃重的一抹重彩。在明代晚期的景德鎮(zhèn)民窯青花瓷器繪畫藝術(shù)作品中，出現(xiàn)了許多精美的的青花瓷器繪畫藝術(shù)精品，很好的繼承了我國(guó)傳統(tǒng)文化寫意繪畫藝術(shù)作品中優(yōu)秀的文人畫藝術(shù)傳統(tǒng)。 長(zhǎng)期以來(lái)，我國(guó)的瓷器繪畫藝術(shù)深受中國(guó)傳統(tǒng)文人寫意繪畫藝術(shù)的影響，尤以明代最為顯著。明代晚期的景德鎮(zhèn)民窯青花瓷器繪畫藝術(shù)作品，用筆簡(jiǎn)率豪放，洗練灑脫，剛勁有力，不拖泥帶水；注重畫面形象與表現(xiàn)載體間的色彩對(duì)比與構(gòu)圖的處理；在物象的造型上抓住最能體現(xiàn)所繪客觀物象的特征加以表現(xiàn)。 明代晚期的景德鎮(zhèn)民窯青花瓷器繪畫藝術(shù)作品創(chuàng)作技法自由，創(chuàng)作手法多樣，創(chuàng)作狀態(tài)自由舒暢，不刻意模仿抄襲，重視在創(chuàng)作中創(chuàng)作主體自由心態(tài)的發(fā)揮，畫面言簡(jiǎn)意賅，注意留白和畫面布局，部分作品意境深遠(yuǎn)，一些作品尺幅雖然不大，但憑借著巧妙的構(gòu)圖，亦有著“詩(shī)中有畫，，畫中有詩(shī)”的藝術(shù)特色。 本文的寫作得出結(jié)論，景德鎮(zhèn)民窯青花瓷器繪畫藝術(shù)和中國(guó)傳統(tǒng)繪畫藝術(shù)均體現(xiàn)了中國(guó)傳統(tǒng)藝術(shù)寫意精神言簡(jiǎn)意賅和重視自我創(chuàng)造、自由發(fā)揮的內(nèi)在精神特征，體現(xiàn)了中國(guó)傳統(tǒng)藝術(shù)寫意精神的廣泛性和先進(jìn)性。景德鎮(zhèn)民窯青花瓷器藝術(shù)作品和中國(guó)傳統(tǒng)文人寫意繪畫藝術(shù)一樣，有著高超利用有限的條件追求高超藝術(shù)的品格。景德鎮(zhèn)瓷器繪畫是中國(guó)傳統(tǒng)文人畫藝術(shù)的另一個(gè)藝術(shù)形式，是文人畫藝術(shù)精神發(fā)揚(yáng)的一種擴(kuò)展，同時(shí)也證明了傳統(tǒng)文人畫藝術(shù)精神的價(jià)值的先進(jìn)性。
[Abstract]:Jingdezhen, famous for a long time, can be said to be "porcelain" synonym. After the accumulation of the past dynasties, the Ming Dynasty Jingdezhen Ming kiln blue and white porcelain painting art development is the most rapid, the Ming and Qing dynasties Jingdezhen folk kiln blue and white porcelain in our country porcelain art history has left a thick and heavy color. In the late Ming Dynasty Jingdezhen Ming kiln blue and white porcelain painting works, there are many fine blue and white porcelain painting art fine, very good inheritance of our country's traditional culture freehand brushwork painting art works outstanding literati painting art tradition. For a long time, Chinese porcelain painting art was deeply influenced by Chinese traditional literati's freehand brushwork, especially in Ming Dynasty. The late Ming Dynasty Jingdezhen people kiln blue and white porcelain painting works, with the pen simple rate bold, wash free and easy, just strong and powerful, do not drag muddy water, pay attention to the picture image and performance carrier between the color contrast and composition processing; In the form of objects to grasp the most can reflect the characteristics of the objective image to be expressed. In the late Ming Dynasty, Jingdezhen people's kiln blue and white porcelain painting art works were free in techniques, various creative techniques, free and comfortable creative state, not deliberately imitating plagiarism, attached importance to the creative subject's free mentality, the picture was concise and comprehensive. Pay attention to the white space and the picture layout, some works artistic conception is profound, some works ruler although not big, but by virtue of the ingenious composition, also has the artistic characteristic of "the poem has the picture, the picture has the poem" the artistic characteristic. The conclusion of this paper is that both Jingdezhen Minyao blue and white porcelain painting art and Chinese traditional painting art embody the spirit of freehand brushwork of Chinese traditional art, and attach importance to self-creation, and give full play to the inherent spiritual characteristics of free play. Embodies the Chinese traditional art freehand brushwork spirit extensive and advanced. Jingdezhen folk kiln blue and white porcelain art works and Chinese traditional literati freehand brushwork art, with superb use of limited conditions to pursue superb art character. Jingdezhen porcelain painting is another art form of Chinese traditional literati painting art and an extension of literati painting art spirit. It also proves the value of traditional literati painting art spirit advanced.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527;J212
本文編號(hào)：2398783
[Abstract]:Jingdezhen, famous for a long time, can be said to be "porcelain" synonym. After the accumulation of the past dynasties, the Ming Dynasty Jingdezhen Ming kiln blue and white porcelain painting art development is the most rapid, the Ming and Qing dynasties Jingdezhen folk kiln blue and white porcelain in our country porcelain art history has left a thick and heavy color. In the late Ming Dynasty Jingdezhen Ming kiln blue and white porcelain painting works, there are many fine blue and white porcelain painting art fine, very good inheritance of our country's traditional culture freehand brushwork painting art works outstanding literati painting art tradition. For a long time, Chinese porcelain painting art was deeply influenced by Chinese traditional literati's freehand brushwork, especially in Ming Dynasty. The late Ming Dynasty Jingdezhen people kiln blue and white porcelain painting works, with the pen simple rate bold, wash free and easy, just strong and powerful, do not drag muddy water, pay attention to the picture image and performance carrier between the color contrast and composition processing; In the form of objects to grasp the most can reflect the characteristics of the objective image to be expressed. In the late Ming Dynasty, Jingdezhen people's kiln blue and white porcelain painting art works were free in techniques, various creative techniques, free and comfortable creative state, not deliberately imitating plagiarism, attached importance to the creative subject's free mentality, the picture was concise and comprehensive. Pay attention to the white space and the picture layout, some works artistic conception is profound, some works ruler although not big, but by virtue of the ingenious composition, also has the artistic characteristic of "the poem has the picture, the picture has the poem" the artistic characteristic. The conclusion of this paper is that both Jingdezhen Minyao blue and white porcelain painting art and Chinese traditional painting art embody the spirit of freehand brushwork of Chinese traditional art, and attach importance to self-creation, and give full play to the inherent spiritual characteristics of free play. Embodies the Chinese traditional art freehand brushwork spirit extensive and advanced. Jingdezhen folk kiln blue and white porcelain art works and Chinese traditional literati freehand brushwork art, with superb use of limited conditions to pursue superb art character. Jingdezhen porcelain painting is another art form of Chinese traditional literati painting art and an extension of literati painting art spirit. It also proves the value of traditional literati painting art spirit advanced.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527;J212
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