【摘要】：一張好的畫就是一個美妙的世界，是畫家獨特而個性之眼所看到的世界。也是理性和感性完滿融合的世界。塞尚的畫對西方甚至整個世界都產生了巨大影響，他不僅創(chuàng)造了一個美麗的物質世界，還揭示了一個富有內涵的精神世界。本文從他的一張畫開始，通過畫的物質性顯現(xiàn)，來分析與探究現(xiàn)象背后的精神追求，進而揭示架上繪畫因其作為人類視覺藝術表達的特殊性，具有不可替代的作用和地位。看看塞尚在繪畫里的所思所想，怎樣用他的方式述說著藝術與真理。直觀一幅畫我們能看到什么呢？造型、色彩、整體構成！等等。那么在塞尚的畫里，他是如何詮釋這些繪畫基本概念的呢？我從幾個繪畫的基本概念來直觀分析他的作品《兒子的肖像》中是如何用他獨特的視角看待這些問題，有些看法與中國傳統(tǒng)文化思想有異曲同工之妙！習雖相遠，，但性相近。藝術在一定的高度上是相通的。第一部分簡要闡述了什么是視覺；第二部分主要論述塞尚的造型觀以及聯(lián)系東方審美觀進行比較分析；第三部分主要論述塞尚的色彩觀，看看他的色彩觀在西方美術史中是一個什么樣的狀態(tài)；第四部分主要論述塞尚的整體性觀察方式，如何對自然的觀察與總結；第五部分是結論，主要論述在當代藝術成為主流的時代，處于邊緣化的架上繪畫的意義在哪？塞尚在這一領域能給我們什么啟示。
[Abstract]:A good picture is a wonderful world, a world that painters see with their own eyes. It is also a world of perfect fusion of reason and sensibility. Cezanne's paintings had a great influence on the West and even the whole world. He not only created a beautiful material world, but also revealed a spiritual world full of connotation. This article begins with a painting of his, through the material manifestation of painting, to analyze and explore the spiritual pursuit behind the phenomenon, and then reveal that the painting on the shelf has an irreplaceable role and position because of its particularity as the expression of human visual art. Look at what Cezanne thinks in painting, how to tell art and truth in his way. What can we see in a picture? Modeling, color, overall composition! Wait So in Cezanne's paintings, how did he interpret the basic concepts of these paintings? I intuitively analyze how he views these problems from his unique perspective in his works "the Portrait of his son" from the basic concepts of several paintings. Some views are different from the traditional Chinese cultural thought. Although Xi is far from each other, his sex is similar. Art is interlinked at a certain height. The first part briefly expounds what is vision, the second part mainly discusses Cezanne's styling view and makes a comparative analysis with the oriental aesthetics. The third part mainly discusses Cezanne's color view to see what his color view is in the western art history, the fourth part mainly discusses Cezanne's holistic observation method, how to observe and summarize the nature; The fifth part is the conclusion, mainly discusses in the contemporary art becomes the mainstream era, in the marginalized frame painting significance in what? Cezanne can give us some inspiration in this field.
【學位授予單位】：西安美術學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J205

【引證文獻】

相關期刊論文 前1條

1 譚淑敏;;此中有真意 欲辯已忘言——試析塞尚的靜物畫[J];藝術品;2015年02期

本文編號：2397026