【摘要】：正在藝術(shù)創(chuàng)作的過(guò)程中,同一藝術(shù)形式常常因創(chuàng)作者表現(xiàn)精神的不同而呈現(xiàn)出對(duì)美的不同讀解。由此,在藝術(shù)上所獲得的力量使人們不僅僅把藝術(shù)看作是傳達(dá)某一種用意的工具,更是增加生活中美與愛(ài)的一種契機(jī),隨著時(shí)代的不斷發(fā)展與進(jìn)步,這種作用愈來(lái)愈占據(jù)著人們思想與精神的主導(dǎo)地位了。當(dāng)15世紀(jì)意大利的弗羅倫薩人本著誅戮暴君是唯一擁護(hù)共和的一種方式驅(qū)逐美第奇家族之后,人們將從其所繳獲的藝術(shù)作品(包括多納泰羅的青銅像等青銅像)等收藏放在總督府前,即后來(lái)樹(shù)立米開(kāi)朗琪
[Abstract]:In the process of artistic creation, the same art form often presents different interpretations of beauty because of the different spirit of the creator. As a result, the power gained in art makes people view art not only as a means to convey a certain intention, but also as an opportunity to increase beauty and love in life, with the development and progress of the times. This role is becoming more and more dominant in people's minds and spirits. When the Fiorentans of 15th century Italy banished the Medicis in a way that killed the tyrant was the only way to support the republic, People put their art works (including bronze statues of Donatello and other bronze statues) in front of the Government House, which was later built up by Miyangqi, from which they had seized works of art, such as bronze statues of Donatello.
【分類號(hào)】：J205
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本文編號(hào)：2382579