【摘要】：縱觀我國的油畫發(fā)展的發(fā)展歷程,可以看到一個很清晰的脈絡,那就是寫實油畫的引進與發(fā)展。改革開放以后,作為一個引進的畫種,中國寫實油畫,在不斷地學習西方寫實繪畫技巧和融合本民族特色的基礎上逐漸地有了自己面貌。從一味跟在西方話語權和價值觀標準下進行模仿,轉變?yōu)殚_始逐步地尋找自己的位置和方向。雖然寫實油畫發(fā)展到今天在寫實技巧上達到了一定的高度,但寫實油畫如何在當代進一步發(fā)展是值得我們認真思考的。筆者認為我國的寫實油畫只有在不脫離油畫材料語言的獨特性上,更好的吸收本國的文化傳統(tǒng),創(chuàng)作出符合本民族審美意識形態(tài)的繪畫寫實繪畫作品才是最重要的。一種優(yōu)秀的藝術語言表現(xiàn)形式只有更深層的表現(xiàn)本國的文化藝術審美,才能得到社會和世界的承認,所以我們應該更進一步從中國的傳統(tǒng)文化中不斷的汲取養(yǎng)分來豐富寫實油畫的精神內涵。
[Abstract]:Looking at the development course of oil painting in our country, we can see a very clear thread, that is, the introduction and development of realistic oil painting. After the reform and opening up, as an imported kind of painting, Chinese realistic oil painting, in the continuous study of Western realistic painting skills and integration of the national characteristics on the basis of gradually have their own face. From imitating under the standards of Western discourse power and values, we began to look for our own position and direction step by step. Although realistic oil painting has reached a certain height in realistic techniques today, how to further develop realistic oil painting in contemporary times is worthy of our careful consideration. The author thinks that the realistic oil painting of our country is the most important thing only if we do not break away from the uniqueness of the oil painting material language, better absorb the cultural tradition of our country, and create the realistic painting works which accord with the national aesthetic ideology. An excellent form of artistic language can only be recognized by the society and the world if it expresses its cultural and artistic aesthetics in a deeper way. Therefore, we should further from the traditional Chinese culture to enrich the spiritual connotation of realistic oil painting.
【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J213

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