宋代畫松探究
發(fā)布時(shí)間：2018-12-14 07:55
【摘要】：松樹作為自然界中一種常綠植物,不怕嚴(yán)寒酷暑,與梅、竹并稱為“歲寒三友”。松樹生長(zhǎng)的自然環(huán)境蘊(yùn)含了松樹的堅(jiān)貞性格,它所蘊(yùn)含的精神內(nèi)涵是人們常常用松樹的高貴品質(zhì)激勵(lì)自己。所以廣大文人用繪畫的方式來表達(dá)對(duì)松樹的熱愛之情。中國(guó)人也常常用松樹比喻人堅(jiān)定不移的氣魄,也隱喻為人高尚的貞潔品質(zhì)和長(zhǎng)壽的美好寓意。第一部分闡述宋代松樹入畫的原由,從它的自然生長(zhǎng)環(huán)境和在繪畫中的表現(xiàn)分析,松樹是從它本身樹冠的蓬松狀態(tài)而來,其質(zhì)地堅(jiān)固,松針細(xì)長(zhǎng)成束,角質(zhì)層比較發(fā)達(dá),所以有耐寒耐旱的功效,多生長(zhǎng)的比較高大,生長(zhǎng)周期長(zhǎng),被譽(yù)為四季常青之樹,含有長(zhǎng)壽的美譽(yù)。有長(zhǎng)壽的象征,古人稱松為“蒼顏叟”。有堅(jiān)貞不屈的氣節(jié)和淡薄清高的理想品格。第二部分闡述分析宋代畫松題材的興起,宋代畫家所處的文化環(huán)境、宋代畫家繪畫思想的轉(zhuǎn)變和宋代理學(xué)觀念的盛行。第三部分闡述宋代畫松題材在作品中的具體體現(xiàn),這一部分是著重論述的,分為北宋時(shí)期和南宋時(shí)期松樹的風(fēng)格及表現(xiàn)。第四部分闡述宋代畫松對(duì)后世的影響,影響了宋以后畫家們的松樹圖創(chuàng)作特點(diǎn)。
[Abstract]:Pine as an evergreen plant in nature, not afraid of cold and heat, and plum, bamboo known as "three friends of the cold." The natural environment of pine tree contains the firm character of pine tree, and its spiritual connotation is that people often inspire themselves with the noble quality of pine tree. Therefore, the majority of literati to express the love of pine trees with the way of painting. The Chinese often use pine trees to describe people's steadfastness and noble chastity and the good moral of longevity. The first part describes the reasons for the pine trees in the Song Dynasty. From the analysis of its natural growth environment and its performance in painting, the pine trees are derived from the fluffy state of its own crown, with a strong texture, slender pine needles in bundles, and relatively developed cuticle. Therefore, the effect of cold and drought tolerance, more growth of tall, long growth cycle, known as the four seasons evergreen tree, including the reputation of longevity. There is a symbol of longevity, the ancients called pine the "pale old man." There is unyielding tenacity and light and high ideal character. The second part analyzes the rise of Song Dynasty painting loose theme, the cultural environment of Song Dynasty painter, the change of Song Dynasty painter painting thought and the prevailing of Song Dynasty Neo-Confucianism idea. The third part expounds the specific embodiment of the Song Dynasty painting pine theme in the works, this part is mainly discussed, divided into the Northern Song Dynasty and the Southern Song Dynasty Pine style and performance. The fourth part expounds the influence of Song Dynasty painting pine on the later generations, which affects the characteristics of the Pine Tree Pictures of the painters after Song Dynasty.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J212
本文編號(hào)：2378236
[Abstract]:Pine as an evergreen plant in nature, not afraid of cold and heat, and plum, bamboo known as "three friends of the cold." The natural environment of pine tree contains the firm character of pine tree, and its spiritual connotation is that people often inspire themselves with the noble quality of pine tree. Therefore, the majority of literati to express the love of pine trees with the way of painting. The Chinese often use pine trees to describe people's steadfastness and noble chastity and the good moral of longevity. The first part describes the reasons for the pine trees in the Song Dynasty. From the analysis of its natural growth environment and its performance in painting, the pine trees are derived from the fluffy state of its own crown, with a strong texture, slender pine needles in bundles, and relatively developed cuticle. Therefore, the effect of cold and drought tolerance, more growth of tall, long growth cycle, known as the four seasons evergreen tree, including the reputation of longevity. There is a symbol of longevity, the ancients called pine the "pale old man." There is unyielding tenacity and light and high ideal character. The second part analyzes the rise of Song Dynasty painting loose theme, the cultural environment of Song Dynasty painter, the change of Song Dynasty painter painting thought and the prevailing of Song Dynasty Neo-Confucianism idea. The third part expounds the specific embodiment of the Song Dynasty painting pine theme in the works, this part is mainly discussed, divided into the Northern Song Dynasty and the Southern Song Dynasty Pine style and performance. The fourth part expounds the influence of Song Dynasty painting pine on the later generations, which affects the characteristics of the Pine Tree Pictures of the painters after Song Dynasty.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J212
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