【摘要】：按照多元視角、從"科學(xué)"最初的意義看來,中國傳統(tǒng)博物毫無疑問是科學(xué)的一種形態(tài),也是應(yīng)對西方現(xiàn)代科學(xué)弊端更為徹底的"解藥"。而宋代花鳥畫正好記錄了這種古老的科學(xué)活動。以宋代花鳥畫為切入口,輔之以相關(guān)文字資料,可以得出中國傳統(tǒng)博物的特點(diǎn):1)物的地位高于人;2)內(nèi)斂而非外擴(kuò)的博物模式。中國傳統(tǒng)博物與西方博物學(xué)在認(rèn)識、改造自然上呈現(xiàn)出來兩條完全不同的路徑,雖然在功利性的層面上并不那么"有用",但在如今的語境下,很有其積極意義。
[Abstract]:According to the multiple perspectives, from the initial meaning of "science", Chinese traditional history is undoubtedly a form of science, but also a more thorough "antidote" to the drawbacks of modern western science. And the Song Dynasty flower and bird painting just recorded this ancient scientific activity. Taking the flower and bird paintings of the Song Dynasty as the entrance, supplemented by the relevant text materials, we can get the characteristics of the Chinese traditional history: 1) the status of the objects is higher than the human beings; 2) the pattern of the museum which is introverted rather than expandable. There are two completely different paths in the cognition and transformation of nature between Chinese traditional history and western history. Although they are not so "useful" at the utilitarian level, they are of great significance in today's context.
【作者單位】： 中國科學(xué)院大學(xué)人文學(xué)院;
【分類號】：J212
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本文編號：2373131