水彩風(fēng)景畫(huà)中虛實(shí)的處理
發(fā)布時(shí)間：2018-12-11 07:05
【摘要】：從世界繪畫(huà)歷史發(fā)展的歷程來(lái)看,繪畫(huà)藝術(shù)中的材料、媒介與藝術(shù)語(yǔ)言的之間有著嘆為觀(guān)止的密切關(guān)系,隨著科學(xué)技術(shù)的發(fā)展也更加豐富了繪畫(huà)在材料、媒介上的選擇,開(kāi)啟了綜合材料發(fā)展,使得繪畫(huà)形式變得多元化,繪畫(huà)不在單一的局限在一個(gè)畫(huà)種的媒材里。盡管綜合材料的發(fā)展,使表現(xiàn)繪畫(huà)的媒介變的更加豐富了,然而繪畫(huà)其主要的表現(xiàn)形式語(yǔ)言卻基本沒(méi)有變化。水彩畫(huà)是不同于油畫(huà)與水粉的以水為媒介的畫(huà)種,其材料的透明性和繪畫(huà)媒介的特殊性,導(dǎo)致不同技法所表現(xiàn)出來(lái)的藝術(shù)語(yǔ)言也不一樣。本文在中西方的虛實(shí)觀(guān)念分析的基礎(chǔ)上,通過(guò)水彩風(fēng)景畫(huà)中的虛實(shí)表現(xiàn)的形式語(yǔ)言及技法處理分析,以不同的角度去解構(gòu)水彩繪畫(huà)中的虛實(shí)關(guān)系的表現(xiàn),再以水彩風(fēng)景畫(huà)中的虛實(shí)表現(xiàn)分類(lèi)為切入點(diǎn),結(jié)合具體作品去分析研究水彩繪畫(huà)中處理虛實(shí)具體途徑。
[Abstract]:From the historical development of painting in the world, there is a close relationship between materials, media and artistic language in painting art. With the development of science and technology, the selection of materials and media in painting has been enriched. Opened the development of comprehensive materials, making painting forms become diversified, painting is not confined to a single medium. Although the development of comprehensive materials makes the medium of painting more abundant, the main expression language of painting is basically unchanged. Watercolor painting is different from oil painting and water powder painting with water as the medium of painting. The transparency of materials and the particularity of painting medium lead to different artistic language of different techniques. On the basis of the analysis of the concept of virtual reality in China and the West, this paper, through the analysis of the formal language and techniques of the expression of the virtual reality in watercolor landscape painting, deconstructs the expression of the relationship between the reality and the reality in watercolor painting from different angles. Then the watercolor landscape in the classification of the actual performance of the breakthrough point, combined with specific works to analyze and study watercolor painting in dealing with the specific ways of reality.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J215
，
本文編號(hào)：2372110
[Abstract]:From the historical development of painting in the world, there is a close relationship between materials, media and artistic language in painting art. With the development of science and technology, the selection of materials and media in painting has been enriched. Opened the development of comprehensive materials, making painting forms become diversified, painting is not confined to a single medium. Although the development of comprehensive materials makes the medium of painting more abundant, the main expression language of painting is basically unchanged. Watercolor painting is different from oil painting and water powder painting with water as the medium of painting. The transparency of materials and the particularity of painting medium lead to different artistic language of different techniques. On the basis of the analysis of the concept of virtual reality in China and the West, this paper, through the analysis of the formal language and techniques of the expression of the virtual reality in watercolor landscape painting, deconstructs the expression of the relationship between the reality and the reality in watercolor painting from different angles. Then the watercolor landscape in the classification of the actual performance of the breakthrough point, combined with specific works to analyze and study watercolor painting in dealing with the specific ways of reality.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J215
，
本文編號(hào)：2372110
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