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淺談當代繪畫的繪畫性和觀念性

發(fā)布時間:2018-12-11 02:58
【摘要】:伴隨著社會經(jīng)濟的迅猛發(fā)展,科學技術亦高速發(fā)展。隨著影像科技的發(fā)明應用,繪畫的人工勞動漸漸被淡化,傳統(tǒng)圖像樣式的概念開始擴張,自從產(chǎn)生了數(shù)碼圖像例如攝影、錄像等形式的藝術,繪畫如何與圖片拉開距離成為傳統(tǒng)藝術的重要特性。從側重表現(xiàn)物理真實逐漸轉向表現(xiàn)為藝術家獨特精神的藝術體驗。從此藝術史便進入了現(xiàn)代主義時期,形式從畫面里徹底地被放大,進而發(fā)展成表現(xiàn)藝術家自我的精神觀念述說。假設我們說抽象表現(xiàn)主義繪畫是現(xiàn)代藝術的鼎盛時期,那波普藝術與超級寫實主義繪畫的出現(xiàn),就應當屬于是當代藝術的一個轉折點。上世紀70年代由于概念藝術的影響,使繪畫走向邊緣,從而引發(fā)了繪畫的危機討論,80年代左右架上繪畫藝術在西方各國開始重新受到關注,人們開始思考繪畫在后現(xiàn)代語境中的意義和轉變。繪畫的觀念化與繪畫性是當代繪畫討論最多的問題,繪畫性與觀念性的關系如何?繪畫在當今的時代將會帶來怎樣的創(chuàng)造力?諸如此類問題是作為繪畫藝術創(chuàng)作者們時常能夠探討的話題,只是為了尋求繪畫在圖片影像充斥的時代,繪畫作為一種藝術表現(xiàn)形式它的存在價值幾何。
[Abstract]:With the rapid development of social economy, science and technology also develop at high speed. With the invention and application of image technology, the manual labor of painting was gradually desalinated, and the concept of traditional image style began to expand, since the emergence of digital images such as photography, video and other forms of art, How to draw away from pictures has become an important feature of traditional art. From focusing on the expression of physical reality to the artistic experience of the artist's unique spirit. Since then, art history has entered the modernism period, the form has been magnified completely from the picture, and then developed into the spiritual concept of expressing the artist's self. If we say that abstract expressionism painting is the heyday of modern art, the emergence of pop art and super realism painting should be a turning point of contemporary art. In the 1970s, because of the influence of the concept art, the painting moved to the edge, which led to the crisis discussion of the painting. In the 1980s, the art of painting on the shelf began to receive renewed attention in the western countries. People began to think about the meaning and transformation of painting in the post-modern context. The conceptualization of painting and painting are the most discussed problems in contemporary painting. What is the relationship between painting and idealism? What kind of creativity will painting bring in today's era? Such problems are often discussed by the creators of painting art, only in order to find out the value geometry of painting as a form of artistic expression in the era of picture and image flooding.
【學位授予單位】:西安美術學院
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J205

【參考文獻】

相關期刊論文 前3條

1 尚輝;;繪畫性何以成為當下繪畫創(chuàng)作的重要問題[J];中國油畫;2012年02期

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