【摘要】：現(xiàn)代漆畫(huà)是在流傳下來(lái)的漆藝基礎(chǔ)上逐步發(fā)展而來(lái),茶文化在我國(guó)也有著悠久的歷史,而且內(nèi)涵十分豐富。我國(guó)的茶文化從古時(shí)候發(fā)展到現(xiàn)在,已經(jīng)兼具傳統(tǒng)特色和時(shí)代氣息;現(xiàn)代漆畫(huà)因?yàn)樾纬蓵r(shí)間較短,屬于工匠技術(shù),所以還沒(méi)有形成純藝術(shù)。因此,茶文化和現(xiàn)代漆畫(huà)之間存在著藝術(shù)和技術(shù)的差別,但二者在碰撞中也有共通之處,本文將探索兩者之間的碰撞和融通。
[Abstract]:Modern lacquer painting is gradually developed on the basis of lacquer art handed down. Tea culture has a long history and rich connotation in our country. The tea culture of our country has developed from ancient times to now, it has both traditional characteristics and times breath; modern lacquer painting has not formed pure art because of its short forming time and belongs to craftsman's technology. Therefore, there are differences in art and technology between tea culture and modern lacquer painting, but there are some similarities between them. This paper will explore the collision and fusion between them.
【作者單位】： 鄭州輕工業(yè)學(xué)院易斯頓美術(shù)學(xué)院;
【分類號(hào)】：J213.9;TS971
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本文編號(hào)：2371436