【摘要】：本文主要是根據(jù)20世紀(jì)油畫符號(hào)化形式語言的發(fā)展及其變革和在油畫創(chuàng)作中的地位和作用,深入探討油畫創(chuàng)作中符號(hào)化形式語言與藝術(shù)家之間的親密聯(lián)系。 卡西爾曾經(jīng)說過：“人是創(chuàng)造符號(hào)的動(dòng)物�！边@說明自從有了人類符號(hào)就隨之產(chǎn)生了,符號(hào)與人類活動(dòng)密切相關(guān),在我們的生活中隨處可見：大到一面國(guó)旗,小到一個(gè)標(biāo)點(diǎn),這些都是符號(hào)。現(xiàn)代藝術(shù)作品中更是充斥著各種各樣的視覺符號(hào),與藝術(shù)之間有著千絲萬縷的聯(lián)系。當(dāng)人們站在畫架前從傳統(tǒng)的視覺愉悅轉(zhuǎn)變?yōu)楝F(xiàn)代的精神迷惘時(shí),藝術(shù)作品在很大程度上也逐漸從對(duì)靈魂的震撼走向了對(duì)眼球的吸引。于是,我們不禁要問：“現(xiàn)代油畫藝術(shù)除了一堆光怪陸離的符號(hào),還剩下什么?”這是一個(gè)值得深思的問題。本文就是以這個(gè)問題為出發(fā)點(diǎn),主要通過對(duì)20世紀(jì)典型畫家符號(hào)化形式語言的研究,著重從時(shí)代的變遷、文化的發(fā)展、個(gè)性的解放和情感的釋放等等,來探究20世紀(jì)那些具有符號(hào)化特征的藝術(shù)家們是怎樣在創(chuàng)作中通過對(duì)“符號(hào)”的合理把握和運(yùn)用來詮釋自己內(nèi)在的個(gè)性、情感、個(gè)人魅力和藝術(shù)價(jià)值。
[Abstract]:Based on the development and transformation of symbolic formal language in oil painting in the 20th century and its position and role in oil painting creation, this paper probes into the intimate relationship between symbolic formal language and artists in oil painting creation. Cassier once said, "Man is an animal that creates symbols." This shows that since the existence of human symbols, symbols are closely related to human activities and can be seen everywhere in our lives: big flags, small punctuation, these are symbols. Modern works of art are filled with a variety of visual symbols, and art is inextricably linked. When people stand in front of the easel to change from the traditional visual pleasure to the modern spiritual confusion, the art works gradually from the shock of the soul to the eyeball. Then, we can not help asking: "Modern oil painting art in addition to a bunch of strange symbols, what is left?" This is a question worth pondering over. This paper takes this issue as the starting point, mainly through the study of symbolic formal language of the typical painters of the 20th century, focusing on the changes of the times, the development of culture, the liberation of personality and the release of emotion, etc. To explore how artists with symbolic characteristics in the 20th century through the rational grasp and use of "symbols" to interpret their own internal personality, emotion, personal charm and artistic value.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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本文編號(hào)：2366514