【摘要】：中國(guó)傳統(tǒng)戲曲是一種具有悠久歷史的綜合性藝術(shù),距今已有一千多年歷史,而油畫進(jìn)入中國(guó)也已有百年。油畫這一畫種,經(jīng)過幾代中國(guó)藝術(shù)家的努力,現(xiàn)已經(jīng)逐漸成熟起來,在油畫的百年學(xué)習(xí)與探索中,表現(xiàn)內(nèi)容已經(jīng)非常廣泛,其中把中國(guó)傳統(tǒng)戲曲藝術(shù)作為油畫家表現(xiàn)的題材內(nèi)容也已有許多畫家進(jìn)行了積極的探索與實(shí)踐,并留下了許多傳世名作。中國(guó)傳統(tǒng)戲曲的簡(jiǎn)約與寫意的獨(dú)特的藝術(shù)表現(xiàn)特點(diǎn),也對(duì)油畫藝術(shù)的形式探索與意境表現(xiàn)提供了新的思維方式,尤其以它蘊(yùn)含的內(nèi)在精神性也對(duì)現(xiàn)當(dāng)代的油畫創(chuàng)作產(chǎn)生了很大的影響。"油畫民族化"在中國(guó)的發(fā)展過程中,如畫家關(guān)良,林風(fēng)眠等前輩們?cè)谒麄兊挠彤媱?chuàng)作中也都融入了一些中國(guó)傳統(tǒng)戲曲的表現(xiàn)元素,融合了東方精神和西方的現(xiàn)代主義精神,對(duì)中國(guó)現(xiàn)當(dāng)代油畫的創(chuàng)作產(chǎn)生了很大的積極作用。此文將從戲曲藝術(shù)中的臉譜色彩、服裝造型、動(dòng)作呈現(xiàn)、舞臺(tái)背景等戲曲元素進(jìn)行深入的分析,以中國(guó)傳統(tǒng)戲曲題材在當(dāng)代油畫創(chuàng)作中的運(yùn)用為切入點(diǎn),對(duì)其中的對(duì)中國(guó)傳統(tǒng)戲曲題材在當(dāng)代油畫作品中的表現(xiàn)形式進(jìn)行系統(tǒng)分析,并以現(xiàn)當(dāng)代油畫家的代表作品為例,闡述中國(guó)傳統(tǒng)戲曲題材油畫的審美價(jià)值,并分析說明中國(guó)戲曲藝術(shù)借助西方經(jīng)典的藝術(shù)載體油畫得到另一種繼承和發(fā)展。探討中國(guó)傳統(tǒng)戲曲題材在當(dāng)代油畫作品中的表現(xiàn)形式是對(duì)中國(guó)傳統(tǒng)文化民俗與現(xiàn)代藝術(shù)的繼承與發(fā)揚(yáng),對(duì)于研究當(dāng)代中國(guó)油畫在吸收民族本土文化精髓的同時(shí),拓展自己的油畫語言與探索自己的風(fēng)格具有重要意義。筆者借鑒中國(guó)戲曲藝術(shù)的元素,試圖用戲曲元素傳達(dá)作者自身的獨(dú)特情感和對(duì)民族藝術(shù)的弘揚(yáng),創(chuàng)作出具有當(dāng)代視覺結(jié)構(gòu)的油畫作品。在構(gòu)圖、形象、色彩語言的表現(xiàn)中,既保持對(duì)戲曲藝術(shù)獨(dú)有的視覺形式,同時(shí),用平面結(jié)構(gòu)的畫面形式表現(xiàn)具有當(dāng)代視覺結(jié)構(gòu)的畫面,清楚油畫只是一種表達(dá)情感的材料,通過西方的油畫形式與傳統(tǒng)戲曲元素相結(jié)合,對(duì)豐富油畫的表現(xiàn)語言以及對(duì)油畫民族化的發(fā)展有著不可忽視的創(chuàng)新意義,值得我們更深入的探索研究。
[Abstract]:Chinese traditional opera is a comprehensive art with a long history, which has a history of more than 1000 years, and oil painting has entered China for a hundred years. Oil painting, after several generations of efforts by Chinese artists, has gradually matured. In the course of a hundred years of study and exploration of oil paintings, the performance content has been very extensive. Among them, many painters have actively explored and practiced the Chinese traditional opera art as the subject matter of oil painters' performance, and have left behind many famous works in the world. The unique artistic characteristics of simplicity and freehand brushwork of Chinese traditional opera also provide a new way of thinking to explore the form and artistic conception of oil painting art. Especially because of its inherent spirit also has a great impact on modern and contemporary oil painting creation. " Oil painting nationalization "in the process of development in China, such as the painters Guan Liang, Lin Fengmian and other predecessors in their oil paintings have also incorporated some elements of the performance of traditional Chinese opera, the integration of the Oriental spirit and the western spirit of modernism. It has played a positive role in the creation of modern and contemporary Chinese oil paintings. This article will carry on the thorough analysis from the traditional Chinese opera art in the facial color, the clothing modelling, the movement present, the stage background and so on drama element, regarding the Chinese traditional opera theme in the contemporary oil painting creation as the breakthrough point, This paper systematically analyzes the expression form of Chinese traditional opera theme in contemporary oil painting, and takes the representative works of modern and contemporary oil painters as an example to expound the aesthetic value of Chinese traditional opera theme oil painting. And analysis shows that Chinese opera art with the help of Western classic art carrier oil painting to another inheritance and development. To probe into the expression form of Chinese traditional opera theme in contemporary oil painting is to inherit and carry forward Chinese traditional culture and modern art, and to study contemporary Chinese oil painting while absorbing the essence of national native culture. It is of great significance to develop one's own oil painting language and explore one's own style. The author draws lessons from the elements of Chinese opera art, attempts to convey the author's own unique feelings and the promotion of national art with the elements of drama, and creates oil paintings with contemporary visual structure. In the representation of composition, image, and color language, both the visual form unique to the art of opera is maintained, and at the same time, it is clear that oil painting is only a kind of material for expressing emotion by using the picture form of plane structure to express the picture with contemporary visual structure. Through the combination of western oil painting form and traditional opera elements, it is of great significance to enrich the performance language of oil painting and to the development of oil painting nationalization, which is worthy of our further exploration and research.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J213

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