發(fā)布時間：2018-11-27 18:33

【摘要】：＂象罔可得玄珠＂源于莊子（天地）篇中的一則寓言，說大道大美是不能用理智、言辯和一目了然、清清楚楚的視覺去捕捉，要靠非理性的＂恍惚＂和若有若無的感覺才能把握。本文主要對所要描繪的自然形態(tài)與所學技法形態(tài)存在巨大反差時，以堅持自我的心態(tài)面對并解決這些差異；在創(chuàng)作中以莊子“象罔得珠”為銘進行不間斷的創(chuàng)作，在不斷的自我體會中偶得＂玄珠＂。以下內(nèi)容綜述個人從寫生到創(chuàng)作的內(nèi)心感悟，，以及在師法古人時獲得一些感受和學習的心得。
[Abstract]:From a fable in Chuang Tzu's (heaven and earth), "Xiang Wian can get a mysterious pearl," saying that the beauty of the road cannot be captured by reason, argument, clarity, and clear vision. We must rely on irrational trance and if there is no feeling to grasp. In this paper, when there is a great contrast between the natural form and the technical form to be described, we should face and solve these differences with the attitude of self-persistence. In his creation, Chuang Tzu's motto of "Xiang Wan-Dezhu" is uninterrupted creation, and in the constant self-experience, I get "Xuanzhu". The following is a summary of one's inner feelings from sketching to writing, as well as the experience of learning and learning from the ancients.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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1 劉紅;象罔可得玄珠之美兼談寫生與創(chuàng)作[D];南京藝術學院;2014年

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