【摘要】：在現(xiàn)代藝術(shù)運(yùn)動(dòng)中,畫家靠什么樣的力量跨越數(shù)百年甚至上千年的審美藩籬,傳統(tǒng)繪畫的審美對(duì)于人們有怎樣的巨大影響,19世紀(jì)末西方畫家們?cè)谙胄┦裁?為什么要另辟蹊徑。他們是一群怎樣的人,最初是沿著傳統(tǒng)的路徑進(jìn)行學(xué)習(xí),到了青年他們又靠著直覺(jué)開(kāi)始走向反傳統(tǒng)的方向。他們是聰明還是愚蠢,是豐富多彩還是枯燥無(wú)味,是熟悉這個(gè)世界還是對(duì)世界更加陌生,這些畫家們靠著主觀和直覺(jué)直接反映對(duì)世界的認(rèn)知。正如藝術(shù)告訴我們他們所處的時(shí)代,也正是藝術(shù)使我們認(rèn)識(shí)了自己。西方現(xiàn)代繪畫已經(jīng)歷時(shí)百年,后印象主義畫家們?cè)谑澜缋L畫史上留下了那個(gè)時(shí)代畫家們最具前瞻性的思想和記憶。
[Abstract]:In the movement of modern art, what kind of force did the painter rely on to overcome the aesthetic barriers of hundreds or even thousands of years? how did the aesthetics of traditional painting have a great impact on people? what were the Western painters thinking at the end of the 19th century? Why do you want to find another way? They are a group of people, initially along the traditional path of learning, to young people, and then rely on intuition to begin to go in the direction of anti-tradition. Whether they are clever or stupid, colorful or boring, familiar with the world or more unfamiliar to the world, these painters directly reflect their perception of the world by subjective and intuitive means. Just as art tells us the age in which they live, it is art that makes us know ourselves. Western modern painting has lasted for a hundred years. Post-Impressionist painters have left behind the most forward-looking thoughts and memories of the painters of that time in the history of world painting.
【作者單位】： 蘇州大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J205

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