【摘要】：在中國(guó)山水畫發(fā)展史上宋代是最重要的歷史階段，這一時(shí)期是中國(guó)山水畫名家大量涌現(xiàn)、佳作層出不窮的時(shí)代。宋代山水畫的藝術(shù)風(fēng)格和繪畫理論對(duì)現(xiàn)當(dāng)代山水畫產(chǎn)生深遠(yuǎn)的影響，具有不可忽視的作用。因此，對(duì)于現(xiàn)當(dāng)代的一部分中國(guó)山水畫研究者來說，能從中吸取宋代山水畫的精髓，在此基礎(chǔ)上加以創(chuàng)新，才能真正的延承與拓展中國(guó)山水畫精神之所在。 本文集中對(duì)宋代山水的繪畫思想、構(gòu)圖形式等進(jìn)行較為系統(tǒng)的分析與研究，主要圍繞宋代山水畫的“藝術(shù)風(fēng)格”對(duì)現(xiàn)當(dāng)代山水畫家的影響展開論述，探討山水畫家們?cè)诹秩疔种g感悟自然及藝術(shù)創(chuàng)作的實(shí)質(zhì)。文章首先介紹了宋代山水畫發(fā)展的歷史背景和宋代山水畫的繪畫思想，繪畫思想上主要從哲學(xué)角度與美學(xué)角度兩個(gè)層面進(jìn)行探索和解讀。其次簡(jiǎn)要分析了宋代山水畫的構(gòu)圖形式及其演變和宋代山水畫的各種技法程式規(guī)范。最后文章重點(diǎn)討論了宋代山水畫風(fēng)及審美觀在現(xiàn)當(dāng)代山水畫中的延承與拓展。現(xiàn)當(dāng)代山水畫家對(duì)宋代山水畫的筆墨語言、置陳布勢(shì)、色彩運(yùn)用、山水造境等方面都有很好的延承與拓展，并顯現(xiàn)出獨(dú)特的個(gè)性且形式發(fā)展多樣化，，但是在延承與發(fā)展宋代山水畫的精神時(shí)要有理性的延承與拓展，要保持中國(guó)傳統(tǒng)文化精神和審美情境的繪畫樣式。中國(guó)山水畫延承的目的是為了開拓，更需要?jiǎng)?chuàng)新精神，即在傳統(tǒng)中延伸和在現(xiàn)實(shí)中拓展。
[Abstract]:In the history of the development of Chinese landscape painting, the Song Dynasty is the most important historical stage. The artistic style and painting theory of landscape painting in Song Dynasty have a profound influence on modern and contemporary landscape painting, which can not be ignored. Therefore, for a part of the contemporary Chinese landscape painting researchers, can absorb the essence of the Song Dynasty landscape painting, on the basis of innovation, in order to truly extend and expand the spirit of Chinese landscape painting. This paper focuses on the Song Dynasty landscape painting thought, composition form and so on more systematic analysis and research, mainly around the Song Dynasty landscape painting "art style" to the modern and contemporary landscape painters impact. To explore the nature and artistic creation essence of landscape painters in Lin Quan Qiu. This paper first introduces the historical background of the development of landscape painting in Song Dynasty and the painting thought of landscape painting in Song Dynasty. Secondly, the paper briefly analyzes the composition and evolution of landscape painting in Song Dynasty and the various technical rules of landscape painting in Song Dynasty. In the end, the article discusses the extension and development of landscape painting style and aesthetics in modern and contemporary landscape painting. The modern and contemporary landscape painters have a very good extension and expansion of the painting language of the Song Dynasty, Chen cloth, the use of color, the landscape environment, and so on, and show their unique personality and diversified forms of development. However, the spirit of landscape painting in Song Dynasty should be extended and expanded rationally, and the painting style of Chinese traditional culture spirit and aesthetic situation should be maintained. The purpose of the extension of Chinese landscape painting is to open up and need the spirit of innovation, that is, to extend in tradition and in reality.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 蔡友;;神飛揚(yáng)兮思浩蕩(下)——山水畫欣賞[J];全國(guó)新書目;2009年21期

2 孫文忠;何海霞對(duì)民族文化藝術(shù)的貢獻(xiàn)[J];人文雜志;1999年03期

3 閆立群;;清逸淡雅 寓柔于剛 吉林省博物院藏陳少梅作品賞析[J];收藏家;2010年12期

4 郭學(xué)信;張素英;;宋代商品經(jīng)濟(jì)發(fā)展特征及原因析論[J];聊城大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年05期

5 周韶華;金碧青綠第一人[J];藝術(shù)市場(chǎng);2003年09期

本文編號(hào)：2339726