【摘要】：風(fēng)景寫生是畫家與自然融合、從中體驗與提煉素材的過程，所以對繪畫藝術(shù)而言，寫生具有十分重要的意義，但在今天這個獲取高清圖像手段異常便捷的年代里，大家常常輕視寫生的重要，導(dǎo)致現(xiàn)在的一些作品缺少了一種對大自然的深刻感受和激情。在18世紀(jì)的英國，，康斯太布爾卻以他樸實、清新的風(fēng)景畫，征服了觀者的心。 本文以個案研究法對康斯太布爾風(fēng)景畫藝術(shù)風(fēng)格及風(fēng)格形成的原因進行探討，在全面搜集有關(guān)康斯太布爾的論著、畫集以及對其研究的文獻的基礎(chǔ)上，對康斯太布爾的藝術(shù)經(jīng)歷、繪畫風(fēng)格、寫生方法及創(chuàng)作理念形成全面的認(rèn)識，并透過其生活時代的變遷，分析當(dāng)時政治文化觀念對其各個方面的影響，在此基礎(chǔ)上研究形成其個人繪畫風(fēng)格的深層次原因。全文一共分為四章:第一章是對研究現(xiàn)狀、研究意義的綜述；第二章是簡要概述康斯太布爾的藝術(shù)經(jīng)歷和藝術(shù)成就；第三章是重點從取材、形式、色彩、技法這四個方面來闡述康斯太布爾風(fēng)景畫作品的風(fēng)格特征；第四章是通過多方面分析，探究康斯太布爾風(fēng)景畫藝術(shù)風(fēng)格形成的原因。 筆者認(rèn)為康斯太布爾在風(fēng)景畫學(xué)習(xí)、創(chuàng)作的過程中，汲取了傳統(tǒng)精華，從自然科學(xué)著作中尋找啟發(fā)，并在大自然的光色變化里不斷探索和實驗，并結(jié)合了個人情感和英國獨特的地理環(huán)境而逐步形成了自己獨特的藝術(shù)風(fēng)格，為英國風(fēng)景畫甚至是世界風(fēng)景畫的發(fā)展開辟了嶄新的道路。因此，筆者認(rèn)為創(chuàng)新不能脫離傳統(tǒng)的積淀，效法傳統(tǒng)也不能成為創(chuàng)新的束縛和局限，其中更重要的是要學(xué)會師法自然，寄情自然，與之形神合一。
[Abstract]:Landscape painting is a process in which painters and nature merge to experience and refine materials. So for painting art, sketching is of great significance, but in today's age when the means of obtaining high-definition images are extremely convenient, People often despise the importance of sketching, leading to the lack of a deep feeling and passion for nature. In 18 th century England, Constaipur, with his simple, fresh landscape painting, conquered the viewer's heart. This paper discusses the reasons for the formation of the artistic style and style of Constaible landscape painting by case study, and on the basis of collecting all the works, works and literature about Constabel's landscape painting, the author tries to find out the reasons for the formation of the art style and style of Constaible's landscape painting. To form a comprehensive understanding of Constaible's artistic experience, painting style, sketching method and creative idea, and to analyze the influence of political and cultural concepts on its various aspects through the changes of his life times. On this basis, the formation of his personal painting style of the deep-level reasons. The full text is divided into four chapters: the first chapter is a summary of the current situation of research, the significance of the study, the second chapter is a brief overview of Constabel's artistic experience and achievements; The third chapter is from the material, the form, the color, the technique these four aspects to elaborate the Constabel landscape painting style characteristic; the fourth chapter is through the many aspects analysis, explores the Constabel landscape painting artistic style formation reason. The author thinks that in the process of studying and creating landscape painting, Constaipur absorbed the essence of tradition, looked for inspiration from the works of natural science, and constantly explored and experimented with the change of light and color of nature. Combined with personal emotion and British unique geographical environment, it gradually formed its own unique artistic style, which opened up a new way for the development of British landscape painting and even the landscape painting of the world. Therefore, the author believes that innovation can not be separated from the traditional accumulation, and imitating tradition can not become the shackles and limitations of innovation, and the more important thing is to learn to imitate nature, send feelings to nature, and integrate form and spirit with it.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

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