中國書畫在服裝設(shè)計中的運用與創(chuàng)新
發(fā)布時間：2018-11-16 14:55
【摘要】：隨著中國經(jīng)濟的強勁增長，越來越多的國際服裝品牌開始進駐中國市場，這對于中國服裝業(yè)來說是機遇與挑戰(zhàn)并存，中國服裝產(chǎn)業(yè)進入了一個嶄新的階段。在這特定的環(huán)境下，中國傳統(tǒng)元素受到國際服裝品牌設(shè)計師們的青睞，中國本土設(shè)計師也在積極探索中國服裝發(fā)展的新方向，設(shè)計師們逐漸開始關(guān)注中國書畫等獨具中國魅力的造型元素在服裝設(shè)計中的運用與創(chuàng)新,重視服裝的文化內(nèi)涵，尋找時尚與傳統(tǒng)的契合點，但結(jié)果卻是喜憂參半的。針對國內(nèi)設(shè)計師在運用中國書畫進行設(shè)計時存在的問題，當(dāng)代設(shè)計師要不斷提高文化修養(yǎng)及知識積累,才能有助于從傳統(tǒng)文化中吸取養(yǎng)分和精髓，找到當(dāng)代中國服裝設(shè)計的創(chuàng)新之路，設(shè)計出富有中國文化意蘊的現(xiàn)代時尚服裝。 本文以中國書畫與服裝的共同文化背景作為切入口，對中國書畫、服裝的藝術(shù)語言、文化內(nèi)涵進行介紹，辨析了書畫與服裝的共性與特性。簡要闡述了書畫的概念、發(fā)展淵源、藝術(shù)語言和文化內(nèi)涵。文章分別從書畫的線條、筆墨意境、人文和諧精神等在服裝設(shè)計中的表現(xiàn)進行分析。結(jié)合唐代服裝和清代服裝的藝術(shù)特色加以論證，揭示了中國書畫元素與服裝之間的必然聯(lián)系。最后對中國書畫在現(xiàn)代服裝中的表現(xiàn)技法和運用方式進行分析研究，闡明中國書畫在服裝設(shè)計中的運用與創(chuàng)新是有理論和文化基礎(chǔ)的。這無疑為中國現(xiàn)代服裝設(shè)計找到新的方向，具有重要意義。
[Abstract]:With the strong growth of Chinese economy, more and more international clothing brands begin to enter the Chinese market, which is both opportunities and challenges for China's garment industry, China's clothing industry has entered a new stage. In this particular environment, Chinese traditional elements are favored by international fashion brand designers, and local Chinese designers are actively exploring new directions for the development of Chinese clothing. Designers began to pay close attention to the application and innovation of Chinese painting and calligraphy in fashion design, attach importance to the cultural connotation of clothing, and look for the convergence point between fashion and tradition, but the results are mixed. In view of the problems existing in the use of Chinese calligraphy and painting in the design of domestic designers, contemporary designers should constantly improve their cultural accomplishment and knowledge accumulation in order to help absorb nutrients and essence from traditional culture. To find the innovative way of contemporary Chinese fashion design and design modern fashion clothing with Chinese cultural implication. Taking the common cultural background of Chinese calligraphy and painting and clothing as the entrance, this paper introduces the artistic language and cultural connotation of Chinese calligraphy and painting, clothing, and discriminates the commonness and characteristics of calligraphy and painting and clothing. This paper briefly expounds the concept, development origin, artistic language and cultural connotation of calligraphy and painting. This paper analyzes the lines of painting, the artistic conception of pen and ink, the spirit of human harmony and so on. Combined with the artistic characteristics of the clothing of Tang Dynasty and Qing Dynasty, it reveals the inevitable relationship between the elements of Chinese calligraphy and painting and clothing. Finally, this paper analyzes and studies the performance techniques and application methods of Chinese calligraphy and painting in modern clothing, and clarifies that the application and innovation of Chinese calligraphy and painting in fashion design have theoretical and cultural basis. This undoubtedly finds a new direction for Chinese modern fashion design, which is of great significance.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TS941.2;J212
本文編號：2335825
[Abstract]:With the strong growth of Chinese economy, more and more international clothing brands begin to enter the Chinese market, which is both opportunities and challenges for China's garment industry, China's clothing industry has entered a new stage. In this particular environment, Chinese traditional elements are favored by international fashion brand designers, and local Chinese designers are actively exploring new directions for the development of Chinese clothing. Designers began to pay close attention to the application and innovation of Chinese painting and calligraphy in fashion design, attach importance to the cultural connotation of clothing, and look for the convergence point between fashion and tradition, but the results are mixed. In view of the problems existing in the use of Chinese calligraphy and painting in the design of domestic designers, contemporary designers should constantly improve their cultural accomplishment and knowledge accumulation in order to help absorb nutrients and essence from traditional culture. To find the innovative way of contemporary Chinese fashion design and design modern fashion clothing with Chinese cultural implication. Taking the common cultural background of Chinese calligraphy and painting and clothing as the entrance, this paper introduces the artistic language and cultural connotation of Chinese calligraphy and painting, clothing, and discriminates the commonness and characteristics of calligraphy and painting and clothing. This paper briefly expounds the concept, development origin, artistic language and cultural connotation of calligraphy and painting. This paper analyzes the lines of painting, the artistic conception of pen and ink, the spirit of human harmony and so on. Combined with the artistic characteristics of the clothing of Tang Dynasty and Qing Dynasty, it reveals the inevitable relationship between the elements of Chinese calligraphy and painting and clothing. Finally, this paper analyzes and studies the performance techniques and application methods of Chinese calligraphy and painting in modern clothing, and clarifies that the application and innovation of Chinese calligraphy and painting in fashion design have theoretical and cultural basis. This undoubtedly finds a new direction for Chinese modern fashion design, which is of great significance.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TS941.2;J212
【參考文獻】
相關(guān)期刊論文 前1條
1 王馨卉;;淺論中國傳統(tǒng)紋樣在當(dāng)代服裝設(shè)計中的應(yīng)用與創(chuàng)新[J];新西部(下半月);2009年08期
，本文編號：2335825
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