【摘要】：本文希圖界定新寫實油畫大致范圍，及其有別于古典油畫的三個語言內(nèi)核：形、色、體。以莫蘭迪、霍克尼、弗洛伊德、畢加索等畫家為例，在形色體的觀察方式上比較塞尚之前與之后的油畫語言。論述以正負形、形體屬性、色性與色度為繪畫觀察方式的途徑；以及這三個語言內(nèi)核在新寫實油畫語言中的顯赫地位。結合我在油畫創(chuàng)作中的思考與實踐過程，，闡述個體觀察方式與選擇。
[Abstract]:This paper tries to define the general scope of new realistic oil painting and its three language kernels which are different from classical oil paintings: shape, color and style. Take Morandi, Hockney, Freud, Picasso and other painters as examples to compare the oil painting language before and after Cezanne. This paper discusses the way to observe painting with positive and negative shape, shape attribute, color and chroma, and the prominent position of these three languages in the new realistic oil painting language. Combined with my thinking and practice process in oil painting creation, this paper expounds the individual observation mode and choice.
【學位授予單位】：云南藝術學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213

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