【摘要】：本文通過梳理西方美術(shù)史中平面化的發(fā)展過程及中國美術(shù)史中平面化的發(fā)展過程,發(fā)現(xiàn)這兩條在漫長歷史中各自發(fā)展的線索如今在中國當(dāng)代藝術(shù)中的平面化傾向中得到很好的融合。平面化是種特殊的創(chuàng)作技法,本文具體分析了這一技法的特點,并發(fā)現(xiàn)這一技法被80后青年藝術(shù)家群體采用的現(xiàn)象。80后青年藝術(shù)家有特殊的成長環(huán)境,他們的成長環(huán)境造就了他們自我意識的增強。反映到他們繪畫中,本文具體舉例來說明80后優(yōu)秀藝術(shù)家繪畫語言的獨特選擇及其繪畫在當(dāng)下具有的社會意義和藝術(shù)價值。他們大多借助了平面化技法在眾多流派中尋找到了自我定位及確定了自我語言,自我語言在青年藝術(shù)家創(chuàng)作中扮演著非常重要的角色,是一位藝術(shù)家真正走向成熟的標(biāo)志。 本文將運用歸納脈絡(luò)策略；分析現(xiàn)象策略；個案研究策略；比較對比策略；總結(jié)歸納策略五個方法對80后油畫平面化傾向作探討。
[Abstract]:This article combs the development process of the plane in the western art history and the development process of the plane in the Chinese art history. It is found that these two clues of development in the long history are now well integrated in the trend of planarization in Chinese contemporary art. Planarization is a special creative technique. This paper analyzes the characteristics of this technique, and finds out the phenomenon that this technique has been adopted by the young artists of the post-80s generation. Their environment of growth has led to an increase in their self-awareness. Reflected in their paintings, this paper, for example, the unique choice of painting language of outstanding artists after the Ming 80, and the social significance and artistic value of painting in the present. Most of them have found their self-orientation and self-language in many schools with the help of planarization techniques. Self-language plays a very important role in the creation of young artists and is a sign of an artist's maturity. This article will use inductive venation strategy; analysis phenomenon strategy; case study strategy; compare and contrast strategy; summarize inductive strategy five methods to explore the post-80s oil painting planarization tendency.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前1條

1 鄧旭;;從“大圣”到“行者”——當(dāng)下“80后藝術(shù)家”身份的蛻變[J];美術(shù);2010年07期

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本文編號：2334076