【摘要】：風(fēng)景油畫(huà)進(jìn)入中國(guó)以來(lái),不可避免地受到了中國(guó)傳統(tǒng)繪畫(huà)的影響。中國(guó)當(dāng)代風(fēng)景油畫(huà)的發(fā)展,與中國(guó)傳統(tǒng)山水畫(huà)之間有著千絲萬(wàn)縷的聯(lián)系。中西方的文化差異,使得中國(guó)當(dāng)代風(fēng)景油畫(huà)與中國(guó)傳統(tǒng)山水畫(huà)之間既有張力、又有融合的可能。中國(guó)當(dāng)代風(fēng)景油畫(huà)對(duì)中國(guó)傳統(tǒng)山水畫(huà)的表達(dá)形式有所承襲。在這兩種題材不同、材質(zhì)不同的繪畫(huà)形式的融合過(guò)程中,中國(guó)風(fēng)景油畫(huà)逐漸地發(fā)生了民族化。本文試圖從中國(guó)傳統(tǒng)山水畫(huà)對(duì)中國(guó)當(dāng)代風(fēng)景油畫(huà)的影響出發(fā),一方面對(duì)中國(guó)當(dāng)代風(fēng)景油畫(huà)與中國(guó)傳統(tǒng)山水畫(huà)進(jìn)行全方位的比較,另一方面也思考中國(guó)風(fēng)景油畫(huà)的未來(lái)走向的可能性。本文認(rèn)為,充分吸收和借鑒中國(guó)傳統(tǒng)山水畫(huà)中的“形色傳神”的精神,是中國(guó)當(dāng)代風(fēng)景油畫(huà)獲得自身的精神性的必要途徑。而通過(guò)這兩種繪畫(huà)形式的結(jié)合,我們也可以有效地促成中國(guó)和西方文化之間的溝通與融合。 本文分為四章。在第一章“緒論”部分中,我將對(duì)本文選題的目的及意義、本文的研究背景及相關(guān)概念進(jìn)行說(shuō)明。對(duì)“中國(guó)傳統(tǒng)山水畫(huà)與中國(guó)當(dāng)代風(fēng)景油畫(huà)的現(xiàn)狀”中,我將回顧中國(guó)山水畫(huà)的發(fā)展歷程,并描述中國(guó)當(dāng)代風(fēng)景油畫(huà)的發(fā)展現(xiàn)狀。在第二章“中國(guó)當(dāng)代風(fēng)景油畫(huà)與中國(guó)山水畫(huà)地域形式的表現(xiàn)”中,我解說(shuō)明了地域性對(duì)中國(guó)當(dāng)代風(fēng)景油畫(huà)的表現(xiàn)形式的影響,以及這種地域性在中國(guó)傳統(tǒng)山水畫(huà)南北之分中的作用。在本章中,我還將對(duì)“寫(xiě)意”在中國(guó)傳統(tǒng)山水畫(huà)中的體現(xiàn)進(jìn)行說(shuō)明,借此顯示出中國(guó)當(dāng)代風(fēng)景油畫(huà)與中國(guó)傳統(tǒng)山水畫(huà)表現(xiàn)形式的不同。在第三章“中國(guó)傳統(tǒng)山水畫(huà)對(duì)中國(guó)當(dāng)代風(fēng)景油畫(huà)的影響”中,我描述了中國(guó)當(dāng)代風(fēng)景油畫(huà)受到的中國(guó)傳統(tǒng)山水畫(huà)中“寫(xiě)意”的影響,這種影響一方面是借鑒,但也經(jīng)過(guò)了許多的改造。最后,在第四章“中國(guó)性與世界性：中國(guó)傳統(tǒng)山水畫(huà)與中國(guó)當(dāng)代風(fēng)景油畫(huà)之融合”中,我將討論中國(guó)當(dāng)代風(fēng)景油畫(huà)獲得自身中國(guó)特質(zhì)的幾種途徑,同時(shí)指出,中國(guó)當(dāng)代風(fēng)景油畫(huà)必須走中西方融合的道路,才能將“中國(guó)性”與“世界性”結(jié)合起來(lái)。
[Abstract]:Landscape painting has inevitably been influenced by Chinese traditional painting since it came into China. The development of Chinese contemporary landscape painting has inextricably relation with Chinese traditional landscape painting. The cultural difference between China and the West makes the tension and integration between Chinese contemporary landscape painting and Chinese traditional landscape painting possible. Chinese contemporary landscape painting has inherited the expression of Chinese traditional landscape painting. In the process of the fusion of the two different subjects and different materials, the Chinese landscape oil painting gradually took place nationalization. Based on the influence of Chinese traditional landscape painting on Chinese contemporary landscape painting, on the one hand, this paper makes a comprehensive comparison between Chinese contemporary landscape painting and Chinese traditional landscape painting. On the other hand, I also think about the possibility of the future trend of Chinese landscape oil painting. This paper holds that absorbing and drawing lessons from the spirit of "form and color" in Chinese traditional landscape painting is the necessary way for Chinese contemporary landscape painting to acquire its own spirituality. Through the combination of the two forms of painting, we can also effectively promote the communication and integration between Chinese and Western cultures. This paper is divided into four chapters. In the first chapter, "introduction", I will explain the purpose and significance of this topic, the research background and related concepts. In "the present situation of Chinese traditional landscape painting and Chinese contemporary landscape painting", I will review the development course of Chinese landscape painting and describe the present situation of Chinese contemporary landscape oil painting. In the second chapter, "the expression of Chinese contemporary landscape oil painting and the regional form of Chinese landscape painting", I explain the regional influence on the expression form of Chinese contemporary landscape oil painting. And this regional nature in the Chinese traditional landscape painting in the north-south role. In this chapter, I will also explain the embodiment of "freehand brushwork" in Chinese traditional landscape painting, which shows the difference between Chinese contemporary landscape painting and Chinese traditional landscape painting. In the third chapter, "the influence of Chinese traditional landscape painting on Chinese contemporary landscape painting", I describe the influence of "freehand brushwork" in Chinese traditional landscape painting. But it has also undergone many transformations. Finally, in the fourth chapter, "China and the world: the fusion of Chinese traditional landscape painting and Chinese contemporary landscape painting", I will discuss several ways for Chinese contemporary landscape painting to obtain its own Chinese characteristics, and at the same time, I will point out, Chinese contemporary landscape oil painting must take the road of integration of China and the West in order to combine "Chinese" with "world".
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J205

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本文編號(hào)：2331974