【摘要】：本論文以謝郴安、劉晟、肖旭為研究對(duì)象,這三位畫家都出生于1980年以后,目前在廣州工作生活,曾經(jīng)有批評(píng)家形容“80后”創(chuàng)作的集體特征為浮躁、焦慮、缺乏社會(huì)責(zé)任感和藝術(shù)危機(jī)意識(shí)。這些關(guān)鍵詞用來(lái)形容這三位畫家顯然是不準(zhǔn)確的,我在他們身上看到了另一些特質(zhì)：1.專業(yè)的藝術(shù)院校背景,科班出身積累了扎實(shí)的藝術(shù)基礎(chǔ)；2.“80后”共有的時(shí)代特征,有我們舊時(shí)的回憶、共同面臨的社會(huì)問(wèn)題,以及隱藏在幸福外表下的憂傷；3.在他們的作品中我看到了他們從前人身上傳承下來(lái)的藝術(shù)的精神、表現(xiàn)手法和格調(diào)；4.還有他們對(duì)藝術(shù)的自我堅(jiān)持,自我突破。新一代的青年畫家的藝術(shù)現(xiàn)狀是藝術(shù)界當(dāng)中的一種文化現(xiàn)象、社會(huì)現(xiàn)象,有可能會(huì)演變成藝術(shù)的未來(lái)。 本論文通過(guò)對(duì)三位畫家的實(shí)地采訪取得的第一手田野調(diào)查資料,結(jié)合當(dāng)代“80后”藝術(shù)家面對(duì)藝術(shù)中諸如繼承與創(chuàng)新、創(chuàng)作觀念、創(chuàng)作手法、價(jià)值觀取向、藝術(shù)市場(chǎng)以及生存現(xiàn)狀等值得關(guān)注的問(wèn)題的資料梳理,具體的討論從四個(gè)方面展開(kāi)：(一)謝郴安、劉晟、肖旭藝術(shù)風(fēng)格形成的外部因素。分析他們的出生、教育背景和時(shí)代特征與藝術(shù)創(chuàng)作之間的相互關(guān)系。(二)謝郴安、劉晟、肖旭藝術(shù)風(fēng)格的傳承取向。分別從對(duì)古典精神的傳承,現(xiàn)實(shí)主義精神的傳承以及超寫實(shí)創(chuàng)作手法的延用三方面論述他們作品分別呈現(xiàn)的整體風(fēng)貌。(三)謝郴安、劉晟、肖旭藝術(shù)風(fēng)格的演進(jìn)取向。這部分探討了他們與前代畫家的不同,主要體現(xiàn)在“80后”青春的創(chuàng)作題材、受時(shí)代影響的創(chuàng)作觀念的不同,以及繪畫技術(shù)手法的改良三方面。(四)謝郴安、劉晟、肖旭的藝術(shù)生存現(xiàn)狀剖析。由以上三部分形成了他們現(xiàn)在的藝術(shù)生活狀態(tài),藝術(shù)市場(chǎng)狀態(tài),并再度探討個(gè)人的藝術(shù)價(jià)值觀取向。這四個(gè)方面構(gòu)成了論文的主體部分。
[Abstract]:In this paper, Xie Chen an, Liu Sheng and Xiao Xu are the subjects of study. These three painters, all born after 1980, now work and live in Guangzhou. Some critics once described the collective characteristics of "post-80s" creation as impetuous and anxious. Lack of sense of social responsibility and artistic crisis consciousness. These keywords are used to describe the three painters are obviously inaccurate, I see in them a number of other characteristics: 1. The professional art college background, the science class background has accumulated the solid artistic foundation; 2. "80 generation" common time characteristic, has our old memory, the common social problem, as well as hides in the happy appearance under the sadness; 3. In their works I see the spirit, expression and style of the art passed down from their former people; 4. And their self-persistence in art, self-breakthrough. The art situation of the new generation of young painters is a cultural phenomenon and a social phenomenon in the art world, which may evolve into the future of art. This paper through the field interview to the three painters obtained first-hand field survey materials, combined with the contemporary "post-80s" artists in the face of art such as inheritance and innovation, creative ideas, creative techniques, values orientation, The material of the art market and the existing situation are combed and discussed from four aspects: (1) the external factors of the formation of the artistic style of Xie Chen an, Liu Sheng and Xiao Xu. The relationship between their birth, educational background, time characteristics and artistic creation is analyzed. Second, Xie Chen an, Liu Sheng, Xiao Xu artistic style inheritance orientation. Respectively from the classical spirit, the inheritance of the spirit of realism and superrealistic creation of the extension of three aspects of their works presented by the overall style. (3) the evolution of Xie Chen, Liu Sheng and Xiao Xu's artistic style. This part discusses their differences from the previous generation of painters, mainly reflected in the "post-80s" youth creation theme, the influence of the times of creative ideas, as well as the improvement of painting techniques in three aspects. (4) Xie Chen an, Liu Sheng, Xiao Xu's art existence present situation analysis. The above three parts form their present artistic life state, art market state, and discuss the individual artistic value orientation again. These four aspects constitute the main part of the thesis.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J203

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本文編號(hào)：2327747