【摘要】：中國(guó)傳統(tǒng)壁畫有著悠久的歷史,在中國(guó)繪畫美術(shù)史中占有舉足輕重的地位,它的成長(zhǎng)歷程是我們國(guó)家古代哲學(xué)理念、人文精神以及審美取向的完美體現(xiàn),也是我國(guó)繪畫藝術(shù)中最成熟的畫科之一。工筆人物畫雖然是我國(guó)傳統(tǒng)的畫種,但是一直保持著與時(shí)俱進(jìn)的時(shí)代精神。在當(dāng)代,面對(duì)多元文化交流與融合的大環(huán)境,如何學(xué)習(xí)與借鑒其他文化元素的同時(shí)又保持工筆人物畫的自身特點(diǎn)、民族文化精神以及文化特點(diǎn),體現(xiàn)當(dāng)下的時(shí)代精神,卻是我們要思考的問(wèn)題。本文共分三個(gè)部分,第一章主要是通過(guò)對(duì)中國(guó)古代傳統(tǒng)壁畫的脈絡(luò)分析整理,重點(diǎn)以敦煌佛教壁畫和永樂(lè)宮道教壁畫為例,分析、總結(jié)傳統(tǒng)壁畫如何吸收外來(lái)文化的同時(shí)保持民族文化藝術(shù)特征。在這章中,通過(guò)梳理壁畫的發(fā)展脈絡(luò),探究和總結(jié)了中國(guó)傳統(tǒng)壁畫在造型、色彩運(yùn)用、表現(xiàn)技法以及線條等方面的藝術(shù)語(yǔ)言特色。尤其對(duì)比討論了受外來(lái)佛教文化和本土文化作用下所形成的壁畫特點(diǎn),旨在總結(jié)傳統(tǒng)壁畫藝術(shù)語(yǔ)言對(duì)當(dāng)代工筆人物畫創(chuàng)作的價(jià)值;第二章從觀念、技法、風(fēng)格三個(gè)方面分析當(dāng)代工筆人物畫存在的問(wèn)題,其中風(fēng)格再繼續(xù)拆分為寫實(shí)和寫意兩個(gè)方面進(jìn)行具體闡述;第三章從樹(shù)立正確審美觀與畫面構(gòu)成兩個(gè)方面分析傳統(tǒng)壁畫對(duì)當(dāng)代工筆人物畫的啟示。其中對(duì)畫面構(gòu)成的啟示這一方面又細(xì)分為造型、構(gòu)圖、線與色以及壁畫技法在當(dāng)代工筆人物畫中的應(yīng)用這三大點(diǎn)來(lái)做傳統(tǒng)壁畫對(duì)當(dāng)代工筆人物畫的啟示與影響的具體分析。
[Abstract]:Chinese traditional murals have a long history and play an important role in the history of Chinese painting and art. Its growing process is the perfect embodiment of our country's ancient philosophy, humanistic spirit and aesthetic orientation. It is also one of the most mature painting subjects in Chinese painting art. Although meticulous figure painting is the traditional painting of our country, it has always kept the spirit of the times with the times. In contemporary times, facing the environment of multicultural communication and fusion, how to learn and learn from other cultural elements while maintaining the characteristics of meticulous figure painting, national cultural spirit and cultural characteristics, reflecting the current spirit of the times, But that's what we have to think about. This paper is divided into three parts. The first chapter is mainly through the analysis of the ancient Chinese traditional murals, focusing on Dunhuang Buddhist murals and Yongle Palace Taoist murals as an example. This paper summarizes how traditional murals absorb foreign culture while keeping the characteristics of national culture and art. In this chapter, by combing the development of murals, this paper explores and summarizes the artistic language features of Chinese traditional murals in the aspects of modeling, color application, performance techniques and lines. In particular, the characteristics of murals formed under the influence of foreign Buddhist culture and native culture are compared and discussed in order to summarize the value of traditional mural art language in the creation of contemporary meticulous figure painting. The second chapter analyzes the existing problems of contemporary meticulous figure painting from three aspects: concept, technique and style, in which the style continues to be divided into realistic and freehand brushwork. The third chapter analyzes the inspiration of traditional murals to contemporary meticulous figure painting from two aspects of setting up correct aesthetics and picture composition. On the one hand, the inspiration to the composition of the picture is divided into three parts: modeling, composition, line and color, and the application of mural techniques in contemporary meticulous figure painting to make the concrete analysis of the enlightenment and influence of the traditional murals on the contemporary meticulous figure painting.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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