【摘要】：中國畫題畫的習(xí)慣由來已久,宋代是其發(fā)展的重要時期。本論文所要探究的即題畫書在宋代的演變情況。根據(jù)傳世的宋代繪畫作品,結(jié)合文獻(xiàn)的記載,對宋代題畫書的不同作者、內(nèi)容以及三種最常見的形式進(jìn)行分析考察,試圖找出題畫書與時代、作者、題材之間的關(guān)系。文人畫在宋代的出現(xiàn)是題畫書研究的核心問題,本文的第二章集中探究文人畫的繪畫美學(xué)思想及其外在形式與題畫書之間的關(guān)系。另外,宋徽宗在題畫書的出現(xiàn)過程中扮演重要角色,他也是本文的一個重點。
[Abstract]:The habit of Chinese painting title painting has a long history, the Song Dynasty is an important period of its development. This thesis aims to explore the evolution of the title painting book in the Song Dynasty. According to the painting works of Song Dynasty and the records of literature, this paper analyzes the different authors, contents and three most common forms of painting books in Song Dynasty, and tries to find out the relationship between the title painting books and the times, authors and subjects. The emergence of literati painting in the Song Dynasty is the core issue in the study of painting books. The second chapter focuses on exploring the relationship between the painting aesthetic thought and the external form of literati painting. In addition, the Song Huizong plays an important role in the appearance of painting books, and he is also an important part of this paper.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

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3 朱迎平;宋代題跋文的勃興及其文化意蘊[J];文學(xué)遺產(chǎn);2000年04期

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本文編號：2302252