中國當(dāng)代油畫作品中“留白”意境研究
發(fā)布時間：2018-10-31 06:20
【摘要】：油畫在西方走過好幾百年的歷史了,至今在技術(shù)層面和藝術(shù)層面上仍然是一種國際性的繪畫形式。油畫傳到中國后,經(jīng)歷了幾代人的學(xué)習(xí)、融會貫通,已取得令人矚目的成果。油畫的發(fā)展推動了中國社會的進(jìn)步、提高國人文化素養(yǎng)和修養(yǎng)以及促進(jìn)中國傳統(tǒng)藝術(shù)變革方面都發(fā)揮了重要作用。對中國當(dāng)代油畫的探索與創(chuàng)新是藝術(shù)家難以繞過的課題�！傲舭住弊鳛闁|方繪畫的專有名詞,在多種文化的沖擊下也融入了新的文化之中。中國當(dāng)代油畫作品中“留白”的出現(xiàn)以及被廣泛的運(yùn)用,可見是受到中國本土化思想的影響。目前的中國藝術(shù)還依然處于歷史的轉(zhuǎn)折點(diǎn),因此對中國傳統(tǒng)繪畫藝術(shù)的了解與認(rèn)識是極有必要的。站在歷史的高度和擁有國際視野,創(chuàng)造當(dāng)代的藝術(shù),使之既有世界油畫藝術(shù)的普遍價值,又有獨(dú)特的民族氣派,這是當(dāng)今擺在中國油畫面前的重要問題。本文以中國傳統(tǒng)美學(xué)的“留白”意境為切入點(diǎn),通過梳理“留白”意境在中國美學(xué)中的發(fā)展,探究“留白”在中國美學(xué)中的意義。通過研究印象派、現(xiàn)代主義、西方當(dāng)代的藝術(shù)家繪畫藝術(shù)作品中“留白”的出現(xiàn)與發(fā)展,分析“留白”在作品中出現(xiàn)的時間與藝術(shù)家的藝術(shù)思想、表現(xiàn)手法,總結(jié)“留白”在繪畫作品中的作用與意義。本文通過研究當(dāng)代藝術(shù)家作品中的“留白”,分析了“留白”在作品中的形式和作用,以及“留白”在作品中出現(xiàn)的原因�！傲舭住币殉蔀楫�(dāng)代藝術(shù)家在長期創(chuàng)作中探索出來的重要表現(xiàn)形式。藝術(shù)家的思想歷程和藝術(shù)表達(dá)方式的轉(zhuǎn)換實(shí)則是藝術(shù)家觀念的轉(zhuǎn)變,在中國的藝術(shù)語境下是必然的。掌握油畫藝術(shù)本體語言才是油畫藝術(shù)創(chuàng)作的源泉和動力。文章總結(jié)中國當(dāng)代油畫作品中“留白”運(yùn)用的實(shí)踐意義,結(jié)合本人自己的創(chuàng)作感受、創(chuàng)作思想以及創(chuàng)作作品,尋找一種新的表現(xiàn)方式和新的視覺感受,試圖探尋“留白”意境的美學(xué)價值與意義。對當(dāng)代油畫作品中“留白”的研究學(xué)習(xí),是對中國傳統(tǒng)繪畫養(yǎng)分的吸收,學(xué)習(xí)繼承了中國的優(yōu)秀傳統(tǒng)文化。對當(dāng)下中國油畫的發(fā)展具有重要的作用和意義�！傲舭住痹谒囆g(shù)家的畫面中也被賦予了新的生命,新的內(nèi)涵。要創(chuàng)造具有世界性、時代性特色的藝術(shù)作品,我們要有廣泛的藝術(shù)視野,對當(dāng)今世界油畫發(fā)展最前沿的觀念繪畫作品有所研究、了解,關(guān)注當(dāng)代,立足于民族化、本土化的文化之中。
[Abstract]:Oil painting has a history of several hundred years in the West, and it is still an international painting form at the technical and artistic levels. After the oil painting spread to China, experienced several generations of learning, integration, has achieved remarkable results. The development of oil painting has promoted the progress of Chinese society and played an important role in improving the cultural literacy and accomplishment of Chinese people as well as promoting the reform of Chinese traditional art. The exploration and innovation of contemporary Chinese oil painting are difficult for artists to bypass. As the proper term of oriental painting, white space is also integrated into the new culture under the impact of many cultures. The appearance and wide application of "white space" in Chinese contemporary oil paintings show that it is influenced by Chinese localization thought. At present, Chinese art is still at a turning point in history, so it is necessary to understand and understand Chinese traditional painting art. Standing at the height of history and having international vision, creating contemporary art, making it have the universal value of the world oil painting art, as well as the unique national style, this is the important question placed in front of the Chinese oil painting nowadays. Based on the artistic conception of "white space" in Chinese traditional aesthetics, this paper explores the significance of "white space" in Chinese aesthetics by combing the development of "left white" artistic conception in Chinese aesthetics. By studying the appearance and development of "white space" in the painting works of Impressionism, Modernism and Contemporary Western artists, this paper analyzes the time in which "white space" appears in the works, the artistic thought of the artist, and the way of expression. This paper summarizes the function and significance of "left white" in painting works. This paper analyzes the form and function of "white space" in the works of contemporary artists, and the reasons for the appearance of "left white" in the works. White space has become an important form of expression explored by contemporary artists in their long-term creation. The transformation of the artist's thought and artistic expression is the change of the artist's idea, which is inevitable in the Chinese artistic context. Mastering the Noumenon language of oil painting art is the source and motive force of oil painting art creation. This paper summarizes the practical significance of the use of "white space" in Chinese contemporary oil paintings, and combines with my own creative feelings, creative thoughts and creative works to find a new way of expression and new visual feelings. This paper attempts to explore the aesthetic value and significance of the artistic conception of "leaving white". The study of "white space" in contemporary oil paintings is the absorption of the nutrients of Chinese traditional painting and inherits the excellent Chinese traditional culture. At present, the development of Chinese oil painting has an important role and significance. In the artist's picture, White space is endowed with new life and new connotation. In order to create works of art with global and contemporary characteristics, we must have a wide range of artistic horizons, study, understand, pay attention to the contemporary era and base ourselves on nationalization of the most advanced conceptual works of oil painting development in the world. In the culture of localization.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213
本文編號：2301200
[Abstract]:Oil painting has a history of several hundred years in the West, and it is still an international painting form at the technical and artistic levels. After the oil painting spread to China, experienced several generations of learning, integration, has achieved remarkable results. The development of oil painting has promoted the progress of Chinese society and played an important role in improving the cultural literacy and accomplishment of Chinese people as well as promoting the reform of Chinese traditional art. The exploration and innovation of contemporary Chinese oil painting are difficult for artists to bypass. As the proper term of oriental painting, white space is also integrated into the new culture under the impact of many cultures. The appearance and wide application of "white space" in Chinese contemporary oil paintings show that it is influenced by Chinese localization thought. At present, Chinese art is still at a turning point in history, so it is necessary to understand and understand Chinese traditional painting art. Standing at the height of history and having international vision, creating contemporary art, making it have the universal value of the world oil painting art, as well as the unique national style, this is the important question placed in front of the Chinese oil painting nowadays. Based on the artistic conception of "white space" in Chinese traditional aesthetics, this paper explores the significance of "white space" in Chinese aesthetics by combing the development of "left white" artistic conception in Chinese aesthetics. By studying the appearance and development of "white space" in the painting works of Impressionism, Modernism and Contemporary Western artists, this paper analyzes the time in which "white space" appears in the works, the artistic thought of the artist, and the way of expression. This paper summarizes the function and significance of "left white" in painting works. This paper analyzes the form and function of "white space" in the works of contemporary artists, and the reasons for the appearance of "left white" in the works. White space has become an important form of expression explored by contemporary artists in their long-term creation. The transformation of the artist's thought and artistic expression is the change of the artist's idea, which is inevitable in the Chinese artistic context. Mastering the Noumenon language of oil painting art is the source and motive force of oil painting art creation. This paper summarizes the practical significance of the use of "white space" in Chinese contemporary oil paintings, and combines with my own creative feelings, creative thoughts and creative works to find a new way of expression and new visual feelings. This paper attempts to explore the aesthetic value and significance of the artistic conception of "leaving white". The study of "white space" in contemporary oil paintings is the absorption of the nutrients of Chinese traditional painting and inherits the excellent Chinese traditional culture. At present, the development of Chinese oil painting has an important role and significance. In the artist's picture, White space is endowed with new life and new connotation. In order to create works of art with global and contemporary characteristics, we must have a wide range of artistic horizons, study, understand, pay attention to the contemporary era and base ourselves on nationalization of the most advanced conceptual works of oil painting development in the world. In the culture of localization.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 石永紅;;論陳丹青藝術(shù)成就的分期及特點(diǎn)[J];出國與就業(yè)(就業(yè)版);2011年21期
2 范迪安;;畫我所要——戴士和藝術(shù)談片[J];美苑;2009年02期
，本文編號：2301200
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