【摘要】：在幾近年,“當代藝術的設計化問題”已經(jīng)越來越多的得到了藝術家以及藝術批評家的關注,人們開始反思設計對藝術的影響。盡管褒貶各異,但期間透露出的信息已經(jīng)印證當代設計和當代藝術并存、互助的發(fā)展趨勢。繪畫與設計是同根同源的,兩者同屬于視覺藝術范疇。在早期的藝術理論、藝術實踐中繪畫都對設計產(chǎn)生著相當程度的影響。甚至可以說沒有現(xiàn)代藝術就沒有現(xiàn)代設計。隨著人類社會科技和文化的進步,繪畫與設計在學科定位上產(chǎn)生了明確的細分,傳統(tǒng)意義上,繪畫、雕塑和建筑等造型藝術被視為純藝術,而設計被劃入實用美術或工藝美術的領域。二十世紀工業(yè)化飛速發(fā)展與消費社會的蓬勃壯大,促使藝術發(fā)生了巨大變化,同時設計也迎來了自身發(fā)展第二春。實用性已經(jīng)不再是設計考慮的重點,后現(xiàn)代設計同樣注重情感的抒發(fā),強調個性化審美,以及人文關懷等藝術原則,設計語言正式形成。到了網(wǎng)絡化高度發(fā)達的今天,當代設計與互聯(lián)網(wǎng)的完美結合不僅綜合了圖形、文字、聲音、三維影像等,同時還具備了更強烈而獨特的視覺表現(xiàn)力,不斷的刺激著大眾審美情感。本文通過對當代設計中存在的文字、色彩、圖形、圖像等視覺元素的不同特性和作用進行分析,并對西方當代派繪畫作品之中蘊含的設計元素做了粗淺的探究。希望通過此文,一方面能夠加強對西方現(xiàn)代派繪畫的理解,另一方面還能對研究中國當代油畫的發(fā)展起到一定的積極意義。最后結合作者自身實踐,以油畫創(chuàng)作為母題,分別在內(nèi)容和形式;空間和構圖;材料和肌理;顏色和筆觸等方面做了嘗試性的探索——以設計視覺元素中包含的單純、顯著、易識別的物象、圖像或文字符號為畫面的直觀語言;用抽象的畫面元素取代具象的表達,除了代替什么,表示什么之外,還使得繪畫具有了新的象征意義,情感抒發(fā)。同時獲得必然性和偶然性也為油畫創(chuàng)作提供了更多的可能。
[Abstract]:In recent years, "the design of contemporary art" has been paid more and more attention by artists and art critics. People begin to reflect on the influence of design on art. Although there are different reviews and criticisms, the information revealed during the period has confirmed the development trend of contemporary design and contemporary art. Painting and design are the same origin, both belong to the category of visual art. In the early art theory, art practice painting has a considerable impact on design. It can even be said that there is no modern design without modern art. With the progress of science and technology and culture of human society, painting and design have produced a clear subdivision in the orientation of the subject. In the traditional sense, plastic arts such as painting, sculpture and architecture are regarded as pure art. And design is divided into the realm of practical art or arts and crafts. With the rapid development of industrialization and the vigorous growth of consumer society in the 20th century, great changes have taken place in art, and design has also ushered in the second spring of its own development. Practicability is no longer the focus of design, postmodern design also emphasizes the expression of emotion, the emphasis on personalized aesthetic, as well as humanistic care and other artistic principles, design language is formally formed. Today, when the network is highly developed, the perfect combination of contemporary design and the Internet not only integrates graphics, words, sounds, 3D images, but also has a stronger and more unique visual expression. Constantly stimulate the aesthetic feelings of the masses. This paper analyzes the different characteristics and functions of the visual elements such as characters, colors, graphics, images and so on in contemporary design, and makes a superficial exploration of the design elements contained in the contemporary western painting works. Hope through this article, on the one hand to strengthen the understanding of Western modernist painting, on the other hand, to study the development of contemporary Chinese oil painting play a certain positive significance. Finally, combined with the author's own practice, oil painting as the motif, respectively in the content and form, space and composition, materials and texture; Try to explore color and brushstroke-the visual language with simple, visible, recognizable objects, images or text symbols contained in the design visual elements; The abstract picture element replaces the concrete expression, in addition to what to replace, what to express, also makes the painting has the new symbolic meaning, the emotion expresses. At the same time, the acquisition of inevitability and contingency also provides more possibilities for oil painting creation.
【學位授予單位】：西安美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J213

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