【摘要】：中國(guó)傳統(tǒng)壁畫(huà)藝術(shù)有著悠久的歷史和輝煌的成就,是中華民族勤勞和智慧的結(jié)晶,更是世界藝術(shù)領(lǐng)域的重要組成部分,并在世界上享有盛譽(yù)。其中史前巖畫(huà)、石刻壁畫(huà)和重彩壁畫(huà)對(duì)現(xiàn)代墻體彩繪藝術(shù)有著極為重要的影響。不同的時(shí)代孕育出形態(tài)各異的文化,壁畫(huà)藝術(shù)可以說(shuō)是中國(guó)美術(shù)史上最古老的繪畫(huà)形式。最早可追溯到原始時(shí)代的洞穴壁畫(huà)。壁畫(huà)泛指建筑物內(nèi)外的墻壁上繪制的各種繪畫(huà)作品,狹義上是指各類(lèi)壁面裝飾。那么現(xiàn)代墻體彩繪藝術(shù)和傳統(tǒng)壁畫(huà)之間究竟存在什么樣的關(guān)系呢? 中國(guó)傳統(tǒng)壁畫(huà)的發(fā)展歷程主要經(jīng)歷了四個(gè)時(shí)期：1、準(zhǔn)備——原始社會(huì)時(shí)期；2、萌芽——奴隸社會(huì)時(shí)期；3、繁榮——封建社會(huì)時(shí)期；4、沒(méi)落——近代社會(huì)時(shí)期。我國(guó)近代的壁畫(huà)發(fā)展水平一直落后于西方,直到改革開(kāi)放以后,中國(guó)當(dāng)代的壁畫(huà)藝術(shù)才開(kāi)始蓬勃發(fā)展開(kāi)來(lái)。中西方傳統(tǒng)壁畫(huà)由于在地理環(huán)境、氣候狀況、水文條件、民族構(gòu)成、宗教信仰、社會(huì)意識(shí)形態(tài)以及人類(lèi)發(fā)展歷程等方面各不相同,由此導(dǎo)致了其傳統(tǒng)壁畫(huà)在材質(zhì)、功能、藝術(shù)語(yǔ)言以及審美趣味等方面的差異性。 工業(yè)革命以來(lái),西方迅速進(jìn)入了工業(yè)社會(huì),科學(xué)技術(shù)和社會(huì)生產(chǎn)力得到了空前的發(fā)展,影響了社會(huì)生活的各個(gè)方面。繪畫(huà)藝術(shù)得益于繪畫(huà)材料的發(fā)展、工具的改進(jìn)以及繪畫(huà)理論的新發(fā)現(xiàn)也有了新的發(fā)展,并且呈現(xiàn)出了新的特點(diǎn)�，F(xiàn)代繪畫(huà)藝術(shù)的發(fā)展由此給予了中國(guó)傳統(tǒng)壁畫(huà)前所未有的沖擊,這主要體現(xiàn)在繪畫(huà)材料和審美意象兩個(gè)方面,也因此帶來(lái)了嚴(yán)重的后果(導(dǎo)致了傳統(tǒng)的遺失和盲從的心理)和新的發(fā)展機(jī)遇。任何事物的發(fā)展都具有兩面性,我們要以良好的心態(tài)迎接現(xiàn)代繪畫(huà)藝術(shù)對(duì)中國(guó)傳統(tǒng)壁畫(huà)的沖擊,抓住機(jī)遇,尋求發(fā)展。 現(xiàn)代墻體彩繪藝術(shù)繼承和發(fā)展了中國(guó)傳統(tǒng)壁畫(huà)的一些精華,使得墻體彩繪藝術(shù)在構(gòu)圖形式上更加豐富多彩,在繁簡(jiǎn)對(duì)比上的運(yùn)用上更得心應(yīng)手。墻體彩繪繪畫(huà)的技巧與工藝、符號(hào)和語(yǔ)言更是有了新的突破。墻體彩繪的風(fēng)格形態(tài)方面,從封閉的風(fēng)格逐步走向開(kāi)放,其裝飾風(fēng)格形態(tài)也經(jīng)歷了從線(xiàn)描到涂繪再到線(xiàn)描的循環(huán)。 總之,墻體彩繪發(fā)展過(guò)程的每一個(gè)階段都或多或少受到了傳統(tǒng)壁畫(huà)的影響,本文的主要目的就是通過(guò)揭示這種影響找出某些關(guān)聯(lián)來(lái)更好的引導(dǎo)其發(fā)展。
[Abstract]:Chinese traditional mural art has a long history and brilliant achievements, is the crystallization of the Chinese nation's industry and wisdom, and is an important part of the world's art field, and enjoys a high reputation in the world. Among them, prehistoric rock paintings, stone murals and heavy color murals have an extremely important influence on modern wall painting art. Different times give birth to different forms of culture, mural art can be said to be the oldest painting form in the history of Chinese art. Cave murals dating back to primitive times. Mural paintings refer to all kinds of paintings drawn on the walls inside and outside buildings, and all kinds of wall decoration in a narrow sense. So what is the relationship between modern wall painting art and traditional murals? The development course of Chinese traditional murals mainly experienced four periods: 1, preparation-primitive society period; 2, germinating-slave society period; 3, prosperity-feudal society period; 4, decline-modern society period. The development level of murals in modern China has lagged behind that of the West, until after the reform and opening up, the contemporary mural art in China began to flourish. Chinese and Western traditional murals are different in geographical environment, climate, hydrology, ethnic composition, religious belief, social ideology and human development process, which lead to their traditional murals' material and function. Differences in artistic language and aesthetic taste. Since the Industrial Revolution, the West has rapidly entered the industrial society, science and technology and social productive forces have been unprecedented development, affecting all aspects of social life. Painting art benefits from the development of painting materials, the improvement of tools and the new discovery of painting theory. As a result, the development of modern painting art has given Chinese traditional murals an unprecedented impact, which is mainly reflected in the two aspects of painting materials and aesthetic images. As a result, there are serious consequences (resulting in traditional loss and blindness) and new development opportunities. There are two sides to the development of everything. We should welcome the impact of modern painting art on Chinese traditional murals, seize the opportunity and seek for development. The modern wall painting art inherits and develops some essence of Chinese traditional mural painting, which makes the wall painting art more colorful in composition form and more handy in the application of complex and simple comparison. Wall painting techniques and techniques, symbols and language is a new breakthrough. In the aspect of style and form of wall painting, from closed style to open gradually, its decorative style form has also experienced the cycle from line drawing to painting and then to line drawing. In short, each stage of the development of wall painting is more or less affected by the traditional murals. The main purpose of this paper is to find out some connections through this influence to better guide its development.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J218.6;J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 尹家鳴;;圖像的藝術(shù)展現(xiàn)特征與關(guān)鍵特征[J];中國(guó)美術(shù);2011年03期

2 陳綠壽;獨(dú)立特質(zhì)——論壁畫(huà)的藝術(shù)特質(zhì)與設(shè)計(jì)[J];湖北美術(shù)學(xué)院學(xué)報(bào);2004年02期

3 王珠珠;;唐代墓室壁畫(huà)的主題性創(chuàng)作[J];美術(shù);2011年08期

4 楊印;;淺談裝飾壁畫(huà)的藝術(shù)風(fēng)格與材料特性[J];美術(shù)大觀;2009年03期

5 肖發(fā)展;;現(xiàn)代裝飾繪畫(huà)的形式語(yǔ)言探析[J];美術(shù)大觀;2009年08期

6 鄭泓灝;;史前歐洲非洞穴巖畫(huà)[J];美術(shù)向?qū)?2011年04期

7 王(忄寧);;藝術(shù)改變生活——費(fèi)城壁畫(huà)項(xiàng)目創(chuàng)建的社會(huì)背景及意義[J];美術(shù)研究;2011年02期

8 林墉;彈起色彩這根弦[J];美術(shù);1997年10期

9 袁偉;;現(xiàn)代建筑與壁畫(huà)藝術(shù)關(guān)系的思考[J];美術(shù)大觀;2010年03期

10 李雪暉;當(dāng)代中國(guó)壁畫(huà)創(chuàng)作與公眾審美期待[J];齊魯藝苑;2004年02期

，

本文編號(hào)：2292578