【摘要】：中國(guó)山水畫(huà)是中華民族傳統(tǒng)文化深厚底蘊(yùn)的集中體現(xiàn)，現(xiàn)如今社會(huì)，為藝者，，有舉“古典藝術(shù)”大旗的，有關(guān)注當(dāng)下生活的。大部分對(duì)山水畫(huà)藝術(shù)不太了解的人也許會(huì)把山水畫(huà)理解為就是畫(huà)自然風(fēng)景，但實(shí)際上，并非是他們認(rèn)為的那樣，簡(jiǎn)單的來(lái)說(shuō)，中國(guó)山水畫(huà)與西方寫(xiě)實(shí)主義風(fēng)景畫(huà)并非一概而論，它所要描述和表達(dá)的是一種意象，所謂意象，指的是自然山水的氣象和作者內(nèi)心的真實(shí)感受。當(dāng)今社會(huì)多數(shù)是以都市生活為主導(dǎo)的時(shí)代，所以自然山水在廣廈萬(wàn)千的城市化進(jìn)程中漸行漸遠(yuǎn)，人們與自然山水之間的距離不僅僅表現(xiàn)在地理意義上，更重要的則是心理意義上。當(dāng)代畫(huà)家與古時(shí)候的藝術(shù)家相比，現(xiàn)代人的審美情趣更多地傾向于他們所生活的都市環(huán)境和熟悉的都市文化，以及都市文化帶給我們的人文關(guān)懷。 本文共分為四章分析，第一章是對(duì)城市題材山水畫(huà)這一課題的提出并從概念與來(lái)源兩方面加以解釋。第二章，從社會(huì)背景、歷史背景、文化背景這三方面對(duì)城市題材山水畫(huà)進(jìn)行闡述與剖析。第三章，由創(chuàng)立新意、畫(huà)面構(gòu)成形式、市場(chǎng)特點(diǎn)、筆墨語(yǔ)言運(yùn)用這四個(gè)方面出發(fā)，對(duì)城市題材山水畫(huà)的特點(diǎn)以及語(yǔ)言表達(dá)作以深刻分析。最后一章總結(jié)出城市題材山水畫(huà)在當(dāng)代多元文化背景下的現(xiàn)實(shí)意義和發(fā)展?fàn)顩r，并對(duì)城市題材山水畫(huà)在今后社會(huì)中的發(fā)展走向進(jìn)行預(yù)測(cè)。
[Abstract]:Chinese landscape painting is the concentrated embodiment of the Chinese traditional culture. Nowadays, the society, for the artists, holds the banner of "classical art" and pays attention to the present life. Most people who don't know much about the art of landscape painting may understand landscape painting as painting natural scenery, but in fact, it is not what they think, simply speaking, Chinese landscape painting and Western realistic landscape painting are not generalities. What it wants to describe and express is a kind of image, the so-called image, refers to the natural landscape weather and the author's inner true feeling. Most of today's society is dominated by urban life, so the natural landscape is gradually moving away in the process of urbanization, and the distance between people and natural landscape is not only in geographical significance. More important is the psychological significance. Compared with the artists of ancient times, contemporary painters tend more to the urban environment they live in, the familiar urban culture, and the humanistic care brought by urban culture. This paper is divided into four chapters, the first chapter is to put forward the subject of urban landscape painting and explain it from two aspects: concept and source. The second chapter, from the social background, the historical background, the cultural background these three aspects carries on the elaboration and the analysis to the city theme landscape painting. The third chapter, from the creation of new ideas, screen form, market characteristics, the use of pen and ink language of these four aspects, the characteristics of urban landscape painting and language expression to make a profound analysis. The last chapter summarizes the realistic significance and development of urban landscape painting under the background of contemporary multiculturalism, and forecasts the development trend of urban landscape painting in the future.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J212

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本文編號(hào)：2276054