【摘要】：隨著歷史洪流的奔騰不息,壁畫也伴隨人類文明和科技的發(fā)展從簡單的墻體刻畫演變?yōu)楣糯聫R、墓室壁畫等形式；改革開放后,以北京機(jī)場壁畫為起點(diǎn),又出現(xiàn)了琳瑯滿目、各式各樣的現(xiàn)代壁畫藝術(shù)形式,甚至發(fā)展到多媒體壁畫。 由于現(xiàn)代藝術(shù)家的不斷創(chuàng)新與實(shí)踐,壁畫的多種類多形式已為眾人所見,而鏤空壁畫卻是這其中的一支新秀,既繼承了古代建筑、民間藝術(shù)等傳統(tǒng)元素,又以新的壁畫模式展示給公共大眾。以其獨(dú)特的藝術(shù)形式在壁畫領(lǐng)域更上一層新樓。 鏤空壁畫不僅是空間藝術(shù),更是“正負(fù)”空間轉(zhuǎn)換的藝術(shù)。其空間效果必須依賴于各種正負(fù)空間的轉(zhuǎn)換才能得以實(shí)現(xiàn),研究其正負(fù)空間轉(zhuǎn)換是鏤空壁畫研究的根中之本,而如何轉(zhuǎn)換便成了重中之點(diǎn)。這就是本論文的核心論點(diǎn),第一章和第二章便對(duì)該論點(diǎn)做了追根溯源和刨根問底的研究。然而要實(shí)現(xiàn)正負(fù)空間的轉(zhuǎn)換,又會(huì)受制于很多因素,這些因素就成了設(shè)計(jì)鏤空壁畫能否成功的重要組成部分和必須思考的條件,這就是第三章中的深度探索索要闡述的核心思想。在論文的第四章中,基于前面的分析研究所設(shè)計(jì)出來的鏤空壁畫,再做一次各個(gè)角度的審美特征剖析和藝術(shù)效果介紹。最后,在鏤空壁畫正負(fù)空間轉(zhuǎn)換研究的基礎(chǔ)上,筆者對(duì)鏤空壁畫的前景與創(chuàng)新提出了個(gè)人的觀點(diǎn)和期望。
[Abstract]:With the torrent of history, murals have evolved from simple wall paintings to ancient temples, tombs and murals with the development of human civilization and technology. After reform and opening up, with the Beijing airport murals as the starting point, a dazzling array has emerged. All kinds of modern mural art form, even develop to multimedia mural. As a result of the continuous innovation and practice of modern artists, many kinds and forms of murals have been seen by all, but hollowed-out murals are a new talent among them, inheriting traditional elements such as ancient architecture, folk art and so on. And the new mural model is displayed to the public. With its unique art form in the field of murals on a new floor. Hollowed-out mural is not only the art of space, but also the art of positive and negative space conversion. Its spatial effect must depend on the conversion of all kinds of positive and negative spaces to be realized. The study of positive and negative space conversion is the root of the study of hollowed-out murals. This is the core point of this thesis. However, in order to realize the conversion of positive and negative space, there are many factors, which become an important part of the successful design of hollowed-out murals and the conditions that must be considered. This is the third chapter of the depth of exploration for elaboration of the core ideas. In the fourth chapter of the thesis, based on the hollow murals designed by the research institute of analysis before, the aesthetic features and artistic effects of each angle are analyzed again. Finally, on the basis of the research on the positive and negative space conversion of hollowed-out murals, the author puts forward personal views and expectations on the prospect and innovation of hollowed-out murals.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.6

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