【摘要】：在繪畫的發(fā)展過程中,風(fēng)景畫是作為一種單獨(dú)的繪畫門類而存在的,在中西方美術(shù)中都占有著非常重要的位置。一開始,風(fēng)景畫是其他繪畫種類的附件,是作為人物畫或者宗教繪畫的背景出現(xiàn)的,經(jīng)過很長一段時(shí)間的發(fā)展和演變,逐漸的成為了一種獨(dú)立的畫種。中國的油畫風(fēng)景源自于西方繪畫,更早的時(shí)候比較重視技法的運(yùn)用和材料的運(yùn)用;重視色彩的構(gòu)成;外形等各種形式,但對(duì)于人文精神這一方面還不夠重視,一直到“五八思想”席卷中國以后,大家的審美意識(shí)才開始有了慢慢的提升,開始對(duì)事物的美的認(rèn)識(shí)加深,開始認(rèn)為藝術(shù)創(chuàng)作的作品中,尤其是對(duì)油畫風(fēng)景作品,更是要尋求帶有意境的氛圍。意境則是表達(dá)中國繪畫美的最高境界,是藝術(shù)作品的重要意義。意境是畫家通過各種表現(xiàn)手法對(duì)客觀事物進(jìn)行刻畫的,從而他們所表達(dá)的思想情感,可以到達(dá)情景交融的境界。意境的表達(dá)可以使觀眾通過對(duì)藝術(shù)作品的觀賞而想象,使其受作者的感染。因此,可以說優(yōu)秀的藝術(shù)繪畫作品不僅僅是要擁有樣精準(zhǔn)的外表,更不能缺乏就是對(duì)意境的表達(dá),風(fēng)景畫更應(yīng)該如此,風(fēng)景畫的中心思想就是意境,飽含了畫家對(duì)客觀事物的情感。是否有意境是判斷風(fēng)景畫能否成功的一個(gè)重要的組成部分。藝術(shù)家在發(fā)現(xiàn)自然的時(shí)候,也可以發(fā)現(xiàn)自己本身,聆聽大自然的美好旋律,聆聽山川與人之中的無聲的音樂。本文是通過五章來論述的,第一章,是通過全面來闡述意境的內(nèi)涵以及在藝術(shù)創(chuàng)作中的比重,油畫風(fēng)景作品更是如此。第二章,簡單的概述西方油畫風(fēng)景發(fā)展的意境在不同使其對(duì)意境的不同表達(dá),然后通過對(duì)典型的西方油畫風(fēng)景作品的研究來探索西方油畫風(fēng)景對(duì)中國油畫風(fēng)景的影響。第三章主要簡述油畫風(fēng)景在我國的發(fā)展過程,而且闡述現(xiàn)代中國油畫風(fēng)景的意境,綜合各個(gè)畫家以及他們的代表作品,對(duì)現(xiàn)代我國油畫風(fēng)景意境表達(dá)發(fā)展趨向進(jìn)行明確的論述,意圖就是為了提出可以借鑒和學(xué)習(xí)的方面。第四章主要是對(duì)當(dāng)代中國油畫風(fēng)景意境的未來發(fā)展進(jìn)行總結(jié)和規(guī)劃。中國當(dāng)代油畫風(fēng)景在藝術(shù)的舞臺(tái)上有著不能缺少的地位,并且我相信會(huì)越來越散發(fā)耀眼的光。
[Abstract]:In the development of painting landscape painting as a separate category of painting and occupies a very important position in both Chinese and Western art. At first, landscape painting is the attachment of other painting types, which appears as the background of figure painting or religious painting. After a long period of development and evolution, landscape painting has gradually become a kind of independent painting. Chinese oil painting landscape originates from Western painting. Earlier, it paid more attention to the use of techniques and materials; paid attention to the composition of colors and shapes; and so on. However, it did not pay enough attention to the humanistic spirit. It was not until after the May 8th thought swept through China that everyone's aesthetic consciousness began to slowly improve, the understanding of the beauty of things deepened, and people began to think that artistic works, especially oil paintings and landscape works, It is necessary to seek the atmosphere with artistic conception. Artistic conception is the highest state of expressing the beauty of Chinese painting and the important meaning of art works. The artistic conception is the painter through each kind of expression technique carries on the portrayal to the objective thing, thus they express the thought emotion, may reach the realm of the emotion and the scene blend. The expression of artistic conception can make the audience imagine through the appreciation of the works of art, so that they can be infected by the author. Therefore, it can be said that an excellent artistic painting is not only to have an accurate appearance, but also to express the artistic conception. Landscape painting should be more so. The central idea of landscape painting is artistic conception. Full of the painter's feelings for objective things. Whether there is artistic conception is an important part of judging the success of landscape painting. When the artist finds the nature, he can also find himself, listen to the beautiful melody of nature, listen to the silent music among the mountains and the people. This article is discussed through five chapters. The first chapter is to elaborate the connotation of artistic conception and the proportion in art creation. The second chapter, a brief overview of the development of western oil painting landscape in the different artistic conception of different expressions, and then through the study of typical western oil painting landscape works to explore the impact of western oil painting landscape on Chinese oil painting landscape. The third chapter mainly describes the development process of oil painting landscape in our country, and expounds the artistic conception of modern Chinese oil painting landscape, synthesizes each painter and their representative works, carries on the explicit elaboration to the modern oil painting landscape artistic conception expression development tendency of our country. The intention is to propose aspects that can be used for reference and learned. The fourth chapter is to summarize and plan the future development of contemporary Chinese oil painting landscape. Chinese contemporary oil painting landscape has an indispensable position on the art stage, and I believe it will emit more and more dazzling light.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J213

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